Groupees

Margaret self released Cho Dependent on her own Clownery Records, and was very heartened by the acclaim as there are only a handful of people putting out albums of comedy music: “Weird” Al Yankovic, Flight of the Conchords, The Lonely Island, to name a few, but no women. While thrilled that her hard work was rewarded with the nomination, Margaret still has more music in her, an album tentatively titled Yellow. “It is in its beginning stages. It’s very Beatle-esque at the moment, with songs about race, agedness and ethnicity. Writing lyrics is a different process for me than writing Stand Up. It utilizes the same elements, but it’s a more demanding discipline. You have more freedom with comedy writing than with lyrics, where mathematics comes in to play so the lyrics go with the music.”

Along with the two Grammy nods, Margaret has been recognized in many other areas as well. She was the recipient of the Victory Fund’s 2008 Leadership Award and the first ever Best Comedy Performance Award at the 2007 Asian Excellence Awards. She also received the First Amendment Award from the ACLU of Southern California, and the Intrepid Award from the National Organization for Women (NOW). Throughout her career, she has been honored by GLAAD, American Women in Radio and Television, the Lambda Legal Defense and Education Fund, the National Gay and Lesbian Task Force (NGLTF), the Asian American Legal Defense and Education Fund (AALDEF), and PFLAG for making a significant difference in promoting equal rights for all, regardless of race, sexual orientation or gender identity. In June of 2011, Margaret will be honored by LA Pride, receiving a Lifetime Achievement Award. This award recognizes an individual whose lifetime body of work has left a lasting major imprint on the LGBT community.

“It’s a wonderful thing to be known as a ‘safe haven’ for people. A lot people who come to my shows don’t necessarily consider themselves traditional comedy fans. I seem to be a safe alternative for people who don’t think they’re being represented in society. They come because my point of view satisfies a lot of what needs to be said out there, and that makes me really proud.”

Margaret self released Cho Dependent on her own Clownery Records, and was very heartened by the acclaim as there are only a handful of people putting out albums of comedy music: “Weird” Al Yankovic, Flight of the Conchords, The Lonely Island, to name a few, but no women. While thrilled that her hard work was rewarded with the nomination, Margaret still has more music in her, an album tentatively titled Yellow. “It is in its beginning stages. It’s very Beatle-esque at the moment, with songs about race, agedness and ethnicity. Writing lyrics is a different process for me than writing Stand Up. It utilizes the same elements, but it’s a more demanding discipline. You have more freedom with comedy writing than with lyrics, where mathematics comes in to play so the lyrics go with the music.”

Along with the two Grammy nods, Margaret has been recognized in many other areas as well. She was the recipient of the Victory Fund’s 2008 Leadership Award and the first ever Best Comedy Performance Award at the 2007 Asian Excellence Awards. She also received the First Amendment Award from the ACLU of Southern California, and the Intrepid Award from the National Organization for Women (NOW). Throughout her career, she has been honored by GLAAD, American Women in Radio and Television, the Lambda Legal Defense and Education Fund, the National Gay and Lesbian Task Force (NGLTF), the Asian American Legal Defense and Education Fund (AALDEF), and PFLAG for making a significant difference in promoting equal rights for all, regardless of race, sexual orientation or gender identity. In June of 2011, Margaret will be honored by LA Pride, receiving a Lifetime Achievement Award. This award recognizes an individual whose lifetime body of work has left a lasting major imprint on the LGBT community.

“It’s a wonderful thing to be known as a ‘safe haven’ for people. A lot people who come to my shows don’t necessarily consider themselves traditional comedy fans. I seem to be a safe alternative for people who don’t think they’re being represented in society. They come because my point of view satisfies a lot of what needs to be said out there, and that makes me really proud.”