Simon Heath returns from the void with another detailed and complex dark ambient album. This time under his alias Sabled Sun, a project close to Atrium Carceri but with a more prominent story woven element of the post apocalyptic.

The album 2145 will take you to the desolate landscapes of a fallen future, where a mans voyage after being released from deep freeze hibernation turns into a realization of his own shattered mentality.

Mount Shrine (Rio de Janeiro, Brazil) serves us a warm and inviting ambient album.

Rain pounds the temple as you look out across snowy mountains from a lotus position. A wet furred hare seeks refuge beside you, curious about the kettle of hot tea that rests at your side.

A distress call led you here, transmitted to a frequency on your Ham radio. The journey here was long and filled with majestic sights. Isolated villages, melting snow in forgotten valleys, the robed order of the silent all calmed your mind. The rolling fog followed you every step of the way to enlightenment.

Recommended for lovers of subtle field recordings and sleep ambient. Warm, inviting and atmospheric. Best enjoyed with a cup of hot beverage on a rainy day.

This 15 track soundtrack by Atrium Carceri was composed for the Narrative Philosophical game The Old City. Soothing string like atmospheres, distorted drones and brooding atmospheres carry the listeners throughout the album.

(This is just the soundtrack, not the game)

EXIMIA presents us with a sound design and field recording heavy album about an alien invasion. You won’t find many harmonic elements on this album. It instead serves as a backdrop where Dominik has crafted a soundscape that sucks you into it’s atmosphere.

“For centuries people have been looking at the stars, wondering if we are alone in this infinite universe, or if there is someone else out there. Would they be friendly and if not, would we be ready for them?

They came without warning.

Our weapons pointless against these behemoths covered by storm. When I lay my eyes at their divine beauty in all it’s power and destruction, I feel no anger nor sorrow, I feel awe. Our new gods have arrived.”

Highly recommended for fans of field recording and closed eyes listening

“We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far. The sciences, each straining in its own direction, have hitherto harmed us little; but some day the piecing together of dissociated knowledge will open up such terrifying vistas of reality, and of our frightful position therein, that we shall either go mad from the revelation or flee from the light into the peace and safety of a new dark age”. / H.P. Lovecraft

Arguably the largest Dark Ambient project to date, the Cthulhu album is a collaboration between 12 artists who all worked together to pay tribute not only to Lovecraft, but to what lurks beyond our colorful illusion.

Atrium Carceri, Cities Last Broadcast and God Body Disconnect collaborates on this foggy noir album.

The invitation came in a cinnamon scented envelope. It had been years since your last visit to the hotel, before the headlines of murder had shut it down. Was it re-opened after all these years?

A bottle of pills later, your car pulled up outside the old building. The lights were on, struggling to cut through the heavy fog. Distant voices and music lingered like smoke as you entered the lobby.

Miles to Midnight is a Dark Jazz Ambient album with a Lynchian Noir feel: A hotel trapped between two worlds and a detective with a traumatized past.

God Body Disconnect’s live jazz drums and cinematic wall-of-sound builds the foundation of the mysterious hotel. Cities Last Broadcast brings ghostly tape loops and melodies stuck in time. Atrium Carceri dusts off his old pianos and shatters reality with low bass rumbles and brings you into the other side of the hotel. For lovers of smokey soundtracks to unwritten movies.

God Body Disconnect debuts on Cryo Chamber with Dredge Portals.

An emotional roller coaster of that touches several genres to serve a powerful narrative.

Bruce Moallem employs everything from electronics, guitars, field recordings and vocals. Weaving a diverse album focusing on a man cut off from the outside world.

The protagonist wrestles with charred demons, both inner and outer creating a surreal backdrop.

The attention to detail and how the vocals tie the story together is fascinating. The instrumentation isn’t just music here, neither the field recordings. You can smell the sterile hospital environment of a man in a coma. The beeps of hospital machines. Feel the dread of a world moving in slow motion around him. A bead of sweat rolling down your paralyzed head.

For lovers of fused genres and melancholic soundscapes

Erik Osvald serves us futuristic droneworks from the heart of Slovakia. The album Be Left to Oneself, takes us on a trip through sleeping cities kept lucid by neon lights.

Combining deep sub bass with serene distorted overlays, this is crystal clear production. Served with an analogue touch it smells of rubbery cables pumped with drone fluid.

Ruptured World is the cinematic ambient project of Alistair Rennie (UK), who is also known as an author of Weird Fantasy and Horror Fiction.

The exoplanetary deep space mission to Proxima Centauri b has reached its intended destination. Work begins on assessing the planet for its suitability as a site of colonial expansion and habitation for an increasingly desperate human race.

But there are problems.

“Exoplanetary” features fragments of transmissions amid sonorous and distorted interpretations of narrative events as the mission faces up to the challenges of off-world exploration and the inescapable fact that, on Proxima Centauri b, the human visitors are not alone.

Cosmic horror combines with ambient evocations of a real-life futuristic drama in the face of alien estrangement and a prevailing aura of existential persecution. Radio transmissions are superseded by melodic inferences of atmospheric detail and the otherworldly drones of cosmic landscapes and the mysterious twilight roaming grounds of the Krivren.

The “Exoplanetary” CD package comes with a documentary booklet featuring a 16-page executive summary of the mission’s objectives and a detailed profile of the planet’s geophysical characteristics, as well as its inherent dangers. Digital Booklet also included with download.

It offers a unique listening and reading experience that integrates sound orchestration with speculative dark fiction to present a quasi-scientific account of future possibilities rendered in sound.

Recommended for fans of cinematic dark ambient and spoken word.

Markland is the second album in Northumbria’s trilogy inspired by the Norse discovery of Canada.

As you set foot in Markland, the salty mist of the ocean gives way, swirling around your heavy boots as they crunch on the rocks. Unexplored land left untouched. The wind screams around the mountaintops and something echoes in the distance. You make your way across the steep mountain pass, your eyes water as the weather turns harsher with each step. From atop the cliffs you kneel in awe at the primordial alien landscape stretching on and on. Your trembling hand covers the yellow hazy sun as you spot wild shadows dancing in the dark forest below. A sickly thunderous roar builds from deep within the earth turning day into night, what is this place?

Using only guitar and bass, and recording their improvised compositions live, Jim Field and Dorian Williamson create a deep textured sound world. Evoking the ancient wonder that the Norse explorers must have felt discovering Markland, the land of the Forests.

Wordclock hunts for the myths of old European sacred sites.

Pedro’s trail led him on a long journey through Porto, London and Berlin to record acoustic instruments and field recordings within the cities.

During months of work in the studio more people joined.

Amund Ulvestad on Cello and Electronics, who previously helped out on Wordclock’s second album Self Destruction Themes.

Nuno Craveiro on Scandinavian instrument Nyckelharpa.

George Shmanauri on Trumpet, from dark atonal jazz duo Phonothek.

The resulting album Heralds breaks the fringe of the genre and re-assembles the pieces. It reveals itself as a dreamlike, spiritual and nihilistic album. Classical instruments float on a backdrop of tape loops and organic sound. Sacrificial and Touching.

Recommended for fans of Dark Jazz and Neoclassical.