System Requirements:

OS: Windows 7
Processor: 2009 or newer dual-core Intel or AMD
Memory: 3 GB RAM
Graphics: GeForce GTX 500 series or Radeon HD 5800 series
DirectX: Version 9.0
Storage: 1 GB available space

System Requirements:

OS: Windows 7 (64bit)
Processor: Intel i5-2500 3.3GHz
Memory: 4 GB RAM
Graphics: NVidia GTS450 / AMD Radeon 6850HD
DirectX: Version 11
Storage: 5 GB available space
Sound Card: Windows Compatible Card
Additional Notes: A Controller is STRONGLY recommended to play this game.

System Requirements:

OS: Windows 7/8/10
Processor: Intel CORE i3
Memory: 4 GB RAM
Graphics: Nvidia Geforce 820m
Storage: 9 GB available space
Additional Notes: 64-Bit

System Requirements:

OS: Windows XP: Service pack 3 / OS X 10.6 / Steam OS and Ubuntu 12.04
Processor: 2GHz
Memory: 1000 MB RAM
Graphics: 512MB VRAM
DirectX: Version 9.0
Storage: 2 GB available space

Gavin Dunne is the man behind the internet music project Miracle Of Sound. From humble beginnings making fan-songs for movies and videogames, Gavin has become one of the most well known and respected names in the gaming industry.

His songs and compositions (produced & mixed 100% solo from his home studio) cover a vast range of musical genres and styles and have accrued close to 40 million views across the internet through grassroots viral word of mouth and without any help from record labels.

Industry giants such as Ubisoft, Bioware, EA, Epic and Bethesda have taken notice of Gavin’s work and his songs have been used to promote major titles such as Mass Effect 3, Assassin’s Creed 4 and Watch Dogs.

His song ‘Cries Of A Dead World’ is on the soundtrack to the game Wasteland 2, as the epilogue & credits music.

Many of Gavin’s songs have made various worldwide Itunes chart appearances, individually adding up to hundreds of appearances. With a strong ear for addictive, catchy hooks and song structure, Gavin thrives on variety. Jazz, rock, classical, ambient, electro, metal, pop, country… these are just a few of the genres Gavin has created popular works in.

Natural born electronic music maker active since the mid 90s, specialized in working with old videogame hardware.

GHOST DATA is a producer of electronic music, specializing in symphonic melody making and deep harmonic chord structuring, backed by creative and intuitive percussive work.

GHOST DATA composes many different types of music through heavy experimentation and meaningful melody. A staple of any GHOST DATA track can be recognized by their deep melody writing, emphasis on the human experience and emotional output, and strong percussive work.

Established in 2012, it was only until 2014 that GHOST DATA began taking a more serious interest in music production, honing every possible production technique and experimenting with every possible genre until finally solidifying his signature sound.

The name behind GHOST DATA comes from the actual computational phenomenon “ghost data”, occurring after a supposed error is found – and corrected – thereby losing the original data forever. This can contrast to artists / musicians in social media, especially in pop music, who quickly conform to the societal standards of music making after making their break, in turn losing the thing that made them special and unique in the first place.

We hope to remain an error in the music industry for the rest of our lives.

Dubmood has been around the chiptune scene for over 15 years as a long-time member of Razor 1911, described as the oldest software piracy ring on the internet by the US Department of Justice. He runs his own label, Data Airlines, and is touring with a group line-up consisting of Gem Tos on Guitars and Vocals, and Maskinoperatör on Drums. Breathing life into a genre hampered by cliché video game references and candy-coated melodies, Dubmood’s music chooses to pay homage to the darker synthpop of Kraftwerk and dance punk of LCD Soundsystem. Cold 8-bit blended with warm analogue synths, groovy live drums and Gem Tos anxious French vocals.

Horror audio both classic and contemporary.