$1.25 minimum 8 + 4 + 1 other
Steam, Windows, OSX, Linux
Caravanserail is an arcade-ish trading game. Buy, set a price, and sell. It sounds simple but it’ll take you some skill to set the right price according to the market tendencies…
Inspired by the trading mechanic of some of my favorite strategy games like Pirates! and by caravanserais (trading posts in the desert where people used to buy products from caravans) I tried to recreate the feeling of trading in the old times : you have to let caravans pass, remember the prices, and deduce the market tendencies by yourself.
System Requirements:
OS: Windows XP SP2+ / Ubuntu 12.04+ / Mac OS X 10.8+
Processor: SSE2 instruction set support
Memory: 2 GB RAM
Graphics: DX9 (shader model 2.0) capabilities; generally everything made since 2004 should work.
Storage: 100 MB available space
Sound Card: Any
Steam, Windows, OSX
boxlife is a tiny first person metroidvania, where you gain abilities, find secrets and escape from the box
System Requirements:
OS: Windows 7
Processor: Intel Pentium 2.3GHz
Memory: 2000 MB RAM
Graphics: nVidia GeForce 610
DirectX: Version 9.0
OS: Mac OS X: 10.6
Processor: 2.0 GHz Intel Core 2 Duo
Memory: 2000 MB RAM
by Remute
taken from remute’s 2011 album ‘cowbell mania’. quite cyberpunk-ish, eh?! ; )
Hamburg-based Techno artist Remute has a very ‘technological’ approach to this genre - intense interaction with technology made him do the most amazing things: Remute’s career began in the early 2000s with his first EP ‘Hypnoconsole’ which unmistakably drew inspiration from the flickering world of early 80s and 90s computergames and acid-filled rave-sequences mixed up in a timeless punky DIY-way - even in 2017 ‘Hypnoconsole’ is still considered as a ‘punk techno’ reference by Bandcamp. The success of his first release made Remute tour for years and perform at acclaimed festivals and clubs like for example Golden Pudel and Berghain. Various contemporary high-profile labels got aware of Remute - in 2006 he released his self-titled debut album via the legendary label ‘Ladomat’ from Hamburg. After several further releases on labels like Tresor, Traum, Smallville or Bedrock Remute founded his very own Remute-label in 2008. The first release of the label, ‘Zuendli’, became an instant hit and is considered as one the most successful and celebrated tracks of the minimal techno era of the late 2000s. More punchy club hits and BBC1 favourites like the cheeky acid-house banger ‘Lampuca For Me’ or the spacey open air techno anthem ‘Gravity?’ followed and Remute also became a busy remixer for artists like GusGus, Solomun, Dominik Eulberg or Daniel Avery. Driven by the urge to push the boundaries of TECHNOlogy, it was never enough for Remute to deliver dancefloors hits only. Since the beginning of his career Remute was the sole ruler of his artistic vision and no managers, no agents and no producers were ever allowed to interfere with his work: While others in the early 2010s were busy to jump on the EDM-bandwaggon and took the first opportunity to sell out, Remute devoted himself to commercially risky and artistically uncompromising projects like ‘24’, which is a 24 hour long ambient recording (named by Mixmag as a ‘24 hour anthem’) and ‘REMUTE24’, a series of digital music releases remixing news headlines running for over 6 years, week by week, non-stop. Additionally he released highly successful J-Pop with his song ‘Play The Game’, recorded a Cyberpunk-esque soundtrack for the classic silent film ‘Metropolis’ with his 2014 album ‘Yoshiwara’ (got him ‘Album Of The Month’ honours in Mixmag) and was very active as a soundtrack-producer for several videogames. After over 15 years in music business and countless gigs from Miami to Moscow to Tokio, 2018 is a pivotal year for Remute: His album ‘Limited’, a hybrid release consisting of 7” vinyl and a 3,5” floppy disk, is regarded as a trailblazer of a strong floppy disk comeback… as a valid music format! With some clever usage of technology and creative dealing with the data limitations of this format, Remute once more succeeds in establishing his very own technologic sound aesthetics and setting new distinctive trends for unique performances while constantly questioning the status quo. Besides getting enthusiastically labelled as ‘limited techno’ by CBC, the Los Angeles Times also points out that he is Techno’s only true Disk Jockey - literally.
by Remute
Weird Times = Weird Tunes! Part 2.
Hamburg-based Techno artist Remute has a very ‘technological’ approach to this genre - intense interaction with technology made him do the most amazing things: Remute’s career began in the early 2000s with his first EP ‘Hypnoconsole’ which unmistakably drew inspiration from the flickering world of early 80s and 90s computergames and acid-filled rave-sequences mixed up in a timeless punky DIY-way - even in 2017 ‘Hypnoconsole’ is still considered as a ‘punk techno’ reference by Bandcamp. The success of his first release made Remute tour for years and perform at acclaimed festivals and clubs like for example Golden Pudel and Berghain. Various contemporary high-profile labels got aware of Remute - in 2006 he released his self-titled debut album via the legendary label ‘Ladomat’ from Hamburg. After several further releases on labels like Tresor, Traum, Smallville or Bedrock Remute founded his very own Remute-label in 2008. The first release of the label, ‘Zuendli’, became an instant hit and is considered as one the most successful and celebrated tracks of the minimal techno era of the late 2000s. More punchy club hits and BBC1 favourites like the cheeky acid-house banger ‘Lampuca For Me’ or the spacey open air techno anthem ‘Gravity?’ followed and Remute also became a busy remixer for artists like GusGus, Solomun, Dominik Eulberg or Daniel Avery. Driven by the urge to push the boundaries of TECHNOlogy, it was never enough for Remute to deliver dancefloors hits only. Since the beginning of his career Remute was the sole ruler of his artistic vision and no managers, no agents and no producers were ever allowed to interfere with his work: While others in the early 2010s were busy to jump on the EDM-bandwaggon and took the first opportunity to sell out, Remute devoted himself to commercially risky and artistically uncompromising projects like ‘24’, which is a 24 hour long ambient recording (named by Mixmag as a ‘24 hour anthem’) and ‘REMUTE24’, a series of digital music releases remixing news headlines running for over 6 years, week by week, non-stop. Additionally he released highly successful J-Pop with his song ‘Play The Game’, recorded a Cyberpunk-esque soundtrack for the classic silent film ‘Metropolis’ with his 2014 album ‘Yoshiwara’ (got him ‘Album Of The Month’ honours in Mixmag) and was very active as a soundtrack-producer for several videogames. After over 15 years in music business and countless gigs from Miami to Moscow to Tokio, 2018 is a pivotal year for Remute: His album ‘Limited’, a hybrid release consisting of 7” vinyl and a 3,5” floppy disk, is regarded as a trailblazer of a strong floppy disk comeback… as a valid music format! With some clever usage of technology and creative dealing with the data limitations of this format, Remute once more succeeds in establishing his very own technologic sound aesthetics and setting new distinctive trends for unique performances while constantly questioning the status quo. Besides getting enthusiastically labelled as ‘limited techno’ by CBC, the Los Angeles Times also points out that he is Techno’s only true Disk Jockey - literally.
by VoxelStorm
The official soundtrack for the cyberpunk advertising tycoon game AdvertCity. Deep atmospheric film noir jazz and postrock fusion mingles with beautiful analogue glitch electro.
A full album length original score, presented in two sides - Meatspace and Cyberspace - beatmatched for smooth crossfading.
MP3
I’ll produce a cyberpunk electro tune during a livestream session on April 28th, 23:59 Berlin time. you can download the recording now.
Hamburg-based Techno artist Remute has a very ‘technological’ approach to this genre - intense interaction with technology made him do the most amazing things: Remute’s career began in the early 2000s with his first EP ‘Hypnoconsole’ which unmistakably drew inspiration from the flickering world of early 80s and 90s computergames and acid-filled rave-sequences mixed up in a timeless punky DIY-way - even in 2017 ‘Hypnoconsole’ is still considered as a ‘punk techno’ reference by Bandcamp. The success of his first release made Remute tour for years and perform at acclaimed festivals and clubs like for example Golden Pudel and Berghain. Various contemporary high-profile labels got aware of Remute - in 2006 he released his self-titled debut album via the legendary label ‘Ladomat’ from Hamburg. After several further releases on labels like Tresor, Traum, Smallville or Bedrock Remute founded his very own Remute-label in 2008. The first release of the label, ‘Zuendli’, became an instant hit and is considered as one the most successful and celebrated tracks of the minimal techno era of the late 2000s. More punchy club hits and BBC1 favourites like the cheeky acid-house banger ‘Lampuca For Me’ or the spacey open air techno anthem ‘Gravity?’ followed and Remute also became a busy remixer for artists like GusGus, Solomun, Dominik Eulberg or Daniel Avery. Driven by the urge to push the boundaries of TECHNOlogy, it was never enough for Remute to deliver dancefloors hits only. Since the beginning of his career Remute was the sole ruler of his artistic vision and no managers, no agents and no producers were ever allowed to interfere with his work: While others in the early 2010s were busy to jump on the EDM-bandwaggon and took the first opportunity to sell out, Remute devoted himself to commercially risky and artistically uncompromising projects like ‘24’, which is a 24 hour long ambient recording (named by Mixmag as a ‘24 hour anthem’) and ‘REMUTE24’, a series of digital music releases remixing news headlines running for over 6 years, week by week, non-stop. Additionally he released highly successful J-Pop with his song ‘Play The Game’, recorded a Cyberpunk-esque soundtrack for the classic silent film ‘Metropolis’ with his 2014 album ‘Yoshiwara’ (got him ‘Album Of The Month’ honours in Mixmag) and was very active as a soundtrack-producer for several videogames. After over 15 years in music business and countless gigs from Miami to Moscow to Tokio, 2018 is a pivotal year for Remute: His album ‘Limited’, a hybrid release consisting of 7” vinyl and a 3,5” floppy disk, is regarded as a trailblazer of a strong floppy disk comeback… as a valid music format! With some clever usage of technology and creative dealing with the data limitations of this format, Remute once more succeeds in establishing his very own technologic sound aesthetics and setting new distinctive trends for unique performances while constantly questioning the status quo. Besides getting enthusiastically labelled as ‘limited techno’ by CBC, the Los Angeles Times also points out that he is Techno’s only true Disk Jockey - literally.
DRM-Free, Steam, Windows
Known for deep frying his victims, Potato Man is the most notorious serial killer out there. After receiving an anonymous tip about the whereabouts of the Potato Man, bounty hunting team Quindalin and Dexter depart on a capture mission to put an end to the Potato Man once and for all. However, trying to capture this dangerous criminal might be the biggest mistake our heroes ever make…
“Potato Thriller” is an insane horror / thriller / action game with a crazy story-line and constant changing gameplay mechanics. Play as Quindalin, the best bounty hunter around. Explore the dark twisted world of the Potato man as you struggle to survive dangerous environments, encounter deadly enemies, meet strange characters, and come across many unexpected situations.
Potato Thriller is a game filled with many surprises…
System Requirements:
OS: XP, Vista, Windows 7
Processor: 1.2 Ghz
Memory: 1 GB RAM
Graphics: 256MB
Hard Drive: 100 MB available space
Steam, Windows, OSX, Linux
Broke? Looking to work from THE SKY? Join us in AdvertCity! A huge, procedurally generated place, just waiting to be sold all kinds of junk by YOU!
AdvertCity is a cyberpunk advertising tycoon game. Explore a massive procedural city, and plaster your adverts all over it. Float around cyberspace and post links online. Watch the economy of the city evolve with the effects of your decisions.
System Requirements:
OS: Windows XP SP2 or newer / 10.11 (El Capitan)
Processor: Anything made since 2004, 32bit
Memory: 1 GB RAM
Graphics: OpenGL 2.0, 64MB graphics memory
Storage: 150 MB available space
Steam, Windows, OSX, Linux
The year is 1994 and it is the future. NO THING is a minimalistic surreal action game set in a totalitarian regime of future.
Tells the story of an office clerk who is sent with an important message to the Queen of Ice.
System Requirements:
OS: Windows XP, Vista, 7, 8, 10 / Mac OS X 10+ / Ubuntu 12
Processor: 2.0 Ghz
Memory: 2 GB RAM
Storage: 300 MB available space
Steam, Windows
Julai” - is an arcade flight shooter.
The action takes place on Technogenic Planet. You can improve your ship and flying through the Thorns to earn a lot of points. The game is designed for reaction and ardor.
System Requirements:
OS: Windows Vista
Processor: Intel Core i3
Memory: 1000 MB RAM
Graphics: Nvidia GT640
DirectX: Version 9.0
Storage: 1200 MB available space
DRM-Free, Steam, Windows
Rising Runner is a puzzle game.
Featuring a level editor to make your own custom levels, follow Anette Harper, aka The Rising Runner in a quest to reclaim her soul from The Endless Sender, who is hiding out in Purgatory. Features:
Neat 16-bit era style graphics Rockin’ chiptune soundtrack by Andy Lemon Level editor for making custom levels and endless fun! Puzzles, action and tense moments!
System Requirements:
OS: XP, Vista, Windows 7
Processor: 1.2 Ghz
Memory: 1 GB RAM
Graphics: 256MB
Hard Drive: 100 MB available space
Steam, Windows
Hotel Blind is a simulator of a blind person in a hotel room. Enter a new room and complete five objectives before leaving the room. Text popups and audio describe the objects in the room and the walls, allowing you to map out the room in your mind as you play. Navigate the room using movement keys or your gamepad. Completing all of the objectives will complete the room. Each play starts a random room.
System Requirements:
OS: Windows 7
Processor: Quad Core
Memory: 2 GB RAM
DirectX: Version 11
Storage: 1 GB available space
by Snork
a compilation of the hottest tunes of the german techno label ‘snork enterprises’! featuring tracks by cristian vogel, konstantin sibold, niederflur, syntax error and many more…!
The man behind Feinwerk, Snork Enterprises and Relax 2000, is Syntax Error, who is also known as Christian Schachta. He first established himself in the club scene of western Germany during the end of the nineties. Influenced originally by Psychedelic Trance and Drum ‘n’ Bass, a visit to the legendary Tresor club in Berlin switched his brain on to the abstract sound.
As promotion goals are achieved, bonuses are unlocked for everyone.
by VoxelStorm
The official soundtrack for the cyberpunk advertising tycoon game AdvertCity. Deep atmospheric film noir jazz and postrock fusion mingles with beautiful analogue glitch electro.
A full album length original score, presented in two sides - Meatspace and Cyberspace - beatmatched for smooth crossfading.
DRM-Free, Steam, Windows
Known for deep frying his victims, Potato Man is the most notorious serial killer out there. After receiving an anonymous tip about the whereabouts of the Potato Man, bounty hunting team Quindalin and Dexter depart on a capture mission to put an end to the Potato Man once and for all. However, trying to capture this dangerous criminal might be the biggest mistake our heroes ever make…
“Potato Thriller” is an insane horror / thriller / action game with a crazy story-line and constant changing gameplay mechanics. Play as Quindalin, the best bounty hunter around. Explore the dark twisted world of the Potato man as you struggle to survive dangerous environments, encounter deadly enemies, meet strange characters, and come across many unexpected situations.
Potato Thriller is a game filled with many surprises…
System Requirements:
OS: XP, Vista, Windows 7
Processor: 1.2 Ghz
Memory: 1 GB RAM
Graphics: 256MB
Hard Drive: 100 MB available space
MP3
I’ll produce a cyberpunk electro tune during a livestream session on April 28th, 23:59 Berlin time. you can download the recording now.
Hamburg-based Techno artist Remute has a very ‘technological’ approach to this genre - intense interaction with technology made him do the most amazing things: Remute’s career began in the early 2000s with his first EP ‘Hypnoconsole’ which unmistakably drew inspiration from the flickering world of early 80s and 90s computergames and acid-filled rave-sequences mixed up in a timeless punky DIY-way - even in 2017 ‘Hypnoconsole’ is still considered as a ‘punk techno’ reference by Bandcamp. The success of his first release made Remute tour for years and perform at acclaimed festivals and clubs like for example Golden Pudel and Berghain. Various contemporary high-profile labels got aware of Remute - in 2006 he released his self-titled debut album via the legendary label ‘Ladomat’ from Hamburg. After several further releases on labels like Tresor, Traum, Smallville or Bedrock Remute founded his very own Remute-label in 2008. The first release of the label, ‘Zuendli’, became an instant hit and is considered as one the most successful and celebrated tracks of the minimal techno era of the late 2000s. More punchy club hits and BBC1 favourites like the cheeky acid-house banger ‘Lampuca For Me’ or the spacey open air techno anthem ‘Gravity?’ followed and Remute also became a busy remixer for artists like GusGus, Solomun, Dominik Eulberg or Daniel Avery. Driven by the urge to push the boundaries of TECHNOlogy, it was never enough for Remute to deliver dancefloors hits only. Since the beginning of his career Remute was the sole ruler of his artistic vision and no managers, no agents and no producers were ever allowed to interfere with his work: While others in the early 2010s were busy to jump on the EDM-bandwaggon and took the first opportunity to sell out, Remute devoted himself to commercially risky and artistically uncompromising projects like ‘24’, which is a 24 hour long ambient recording (named by Mixmag as a ‘24 hour anthem’) and ‘REMUTE24’, a series of digital music releases remixing news headlines running for over 6 years, week by week, non-stop. Additionally he released highly successful J-Pop with his song ‘Play The Game’, recorded a Cyberpunk-esque soundtrack for the classic silent film ‘Metropolis’ with his 2014 album ‘Yoshiwara’ (got him ‘Album Of The Month’ honours in Mixmag) and was very active as a soundtrack-producer for several videogames. After over 15 years in music business and countless gigs from Miami to Moscow to Tokio, 2018 is a pivotal year for Remute: His album ‘Limited’, a hybrid release consisting of 7” vinyl and a 3,5” floppy disk, is regarded as a trailblazer of a strong floppy disk comeback… as a valid music format! With some clever usage of technology and creative dealing with the data limitations of this format, Remute once more succeeds in establishing his very own technologic sound aesthetics and setting new distinctive trends for unique performances while constantly questioning the status quo. Besides getting enthusiastically labelled as ‘limited techno’ by CBC, the Los Angeles Times also points out that he is Techno’s only true Disk Jockey - literally.
Remute will perform a livestream session including a cybperunk electro tune on this page on Thursday April 28th, 2:59 PM PST.
1
2
$54.78
A signed gamepad + Remute stickers + 1 on 1 skype chat / production tutorial with Remute
3
$30.00
A signed letter with an individual download-code to Remute’s new single ‘Play The Game’!
4
5
There has been some major disruption with our technical team based in Ukraine and we are not currently able to offer bundles. That may change, we can guarantee users will be able to download their assets through the end of August 2022. We will keep you informed about the future of Groupees here and on social media. Thank you.