$1.25 minimum 9 + 1 + 1 other
Steam, Windows
To the Fat Mobile, let’s go !! You are the crime fighter for the city of Shadowlawn. Just when you’re complaining about how dull things have been, a supervillain named Toxicman is created from a botched act of corporate sabotage. It is up to you, then, to tear yourself away from food long enough to save the city from certain destruction…
There is fun, laughs and even some heroic moments to be had in The Adventures of Fatman: Toxic Revenge! Now available at budget price for Steam collectors, the first commercial AGS game returns to your screens. This special edition includes extra easter eggs & an improved ending. Additional special features, trading cards & soundtrack are also included!
Yesterday’s technology, today !! + Comedy adventure game suitable for all (some mild comic violence) + Parody point & click with a retro kick + Full English voice acting + Interesting locations to visit & fun characters to meet + Hand-drawn art & animations, original soundtrack + Designer commentary in-game + Easy mode (normal, hints & retries) or hard mode (no saves, no hints + sudden death)
The Adventures of Fatman: Toxic Revenge was originally released in 2003, the first videogame made with Adventure Game Studio to be sold commercially. This version is the 2007 re-release or “special edition” (mostly fixes and refinement of the original version).
We recommend players with modern operating systems to use Windowed mode (which can be set to large/HD sizes). If you have further trouble starting the game, please see this Troubleshooting Post on the Steam discussion board. We apologize for any inconvenience.
System Requirements:
OS: 98, 2000, XP
Processor: Pentium III
Memory: 250 MB RAM
Graphics: VGA
Storage: 500 MB available space
Sound Card: MIDI compatible
DRM-Free, Itch.io, Windows, OSX, Linux
By the creator of Gardenarium, gadget hippy Paloma Dawkins, and Gifsmith Cale Bradbury, and tunes by Mozarts Sister Caila Thompson comes a psychedelic game thats like a hiking or forest simulator combined with dance dance revolution or guitar hero, or maybe nothing you’ve ever seen before! All you need is a keyboard, sunglasses, trail mix, LSD, keyboard, map, bird guide, etc.
Your goal is to zen out till the end of the track without missing a beat, while making sure to listen and watch the plants as they communicate to you. Inspired by hiking with friends that suck at nature, don’t feed the squirrels. Because there aren’t any.
Maybe you played it at Fantastic Arcade! It had a wicked moss controller.
All proceeds go towards making new levels.
Game by Paloma Dawkins (PALGAL) Programming and shader FX by Cale Bradbury Music by Caila Thompson (Mozart Sister)
DRM-Free, Itch.io, Windows, Android
ou are lost in an unfamiliar place, and an endless stream of monsters is coming at you from every direction.
Throw your own bodyparts to slay your foes or make them explode by clicking while paying close attention to their color as well as their varied patterns.
The longer you survive, the harder it gets!
Let your reflexes be put to the test in this infinite action arcade game!
by Remute
an analog-trance-space-electro-disco-rave-anthem forcing you to tell your closely guarded secret. feat. remixes by legowelt and sheep whore.
Hamburg-based Techno artist Remute has a very ‘technological’ approach to this genre - intense interaction with technology made him do the most amazing things: Remute’s career began in the early 2000s with his first EP ‘Hypnoconsole’ which unmistakably drew inspiration from the flickering world of early 80s and 90s computergames and acid-filled rave-sequences mixed up in a timeless punky DIY-way - even in 2017 ‘Hypnoconsole’ is still considered as a ‘punk techno’ reference by Bandcamp. The success of his first release made Remute tour for years and perform at acclaimed festivals and clubs like for example Golden Pudel and Berghain. Various contemporary high-profile labels got aware of Remute - in 2006 he released his self-titled debut album via the legendary label ‘Ladomat’ from Hamburg. After several further releases on labels like Tresor, Traum, Smallville or Bedrock Remute founded his very own Remute-label in 2008. The first release of the label, ‘Zuendli’, became an instant hit and is considered as one the most successful and celebrated tracks of the minimal techno era of the late 2000s. More punchy club hits and BBC1 favourites like the cheeky acid-house banger ‘Lampuca For Me’ or the spacey open air techno anthem ‘Gravity?’ followed and Remute also became a busy remixer for artists like GusGus, Solomun, Dominik Eulberg or Daniel Avery. Driven by the urge to push the boundaries of TECHNOlogy, it was never enough for Remute to deliver dancefloors hits only. Since the beginning of his career Remute was the sole ruler of his artistic vision and no managers, no agents and no producers were ever allowed to interfere with his work: While others in the early 2010s were busy to jump on the EDM-bandwaggon and took the first opportunity to sell out, Remute devoted himself to commercially risky and artistically uncompromising projects like ‘24’, which is a 24 hour long ambient recording (named by Mixmag as a ‘24 hour anthem’) and ‘REMUTE24’, a series of digital music releases remixing news headlines running for over 6 years, week by week, non-stop. Additionally he released highly successful J-Pop with his song ‘Play The Game’, recorded a Cyberpunk-esque soundtrack for the classic silent film ‘Metropolis’ with his 2014 album ‘Yoshiwara’ (got him ‘Album Of The Month’ honours in Mixmag) and was very active as a soundtrack-producer for several videogames. After over 15 years in music business and countless gigs from Miami to Moscow to Tokio, 2018 is a pivotal year for Remute: His album ‘Limited’, a hybrid release consisting of 7” vinyl and a 3,5” floppy disk, is regarded as a trailblazer of a strong floppy disk comeback… as a valid music format! With some clever usage of technology and creative dealing with the data limitations of this format, Remute once more succeeds in establishing his very own technologic sound aesthetics and setting new distinctive trends for unique performances while constantly questioning the status quo. Besides getting enthusiastically labelled as ‘limited techno’ by CBC, the Los Angeles Times also points out that he is Techno’s only true Disk Jockey - literally.
DRM-Free, Itch.io, Windows
PushGo is a fast paced one button game for 1-4 players. Take control of one of four colorful characters as you stomp, shoot, and blow up your friends through 16 levels of grueling multiplayer combat.
In the distant future, after humanity has fallen into ruins, a new form of entertainment rules; the Tournament. Pitting the best warriors from 4 different tribes against each other, they battle for supremacy.
Play against your friends or up to 3 bots on a single keyboard, or 1-4 gamepad controllers.
Features
Innovative one button control scheme Fast paced competative gameplay 16 distinct levels Four distinct themes (Ruins, Grasslands, Lava, and Snow) 7 destructive power ups Singleplayer and multiplayer Play however you like (keyboard or 1-4 gamepad controllers)
System Requirements:
2 GB Ram
Win 7/8/10
Windows compatible keyboard/gamepad
MP3
remute (live) at revision 2017
Hamburg-based Techno artist Remute has a very ‘technological’ approach to this genre - intense interaction with technology made him do the most amazing things: Remute’s career began in the early 2000s with his first EP ‘Hypnoconsole’ which unmistakably drew inspiration from the flickering world of early 80s and 90s computergames and acid-filled rave-sequences mixed up in a timeless punky DIY-way - even in 2017 ‘Hypnoconsole’ is still considered as a ‘punk techno’ reference by Bandcamp. The success of his first release made Remute tour for years and perform at acclaimed festivals and clubs like for example Golden Pudel and Berghain. Various contemporary high-profile labels got aware of Remute - in 2006 he released his self-titled debut album via the legendary label ‘Ladomat’ from Hamburg. After several further releases on labels like Tresor, Traum, Smallville or Bedrock Remute founded his very own Remute-label in 2008. The first release of the label, ‘Zuendli’, became an instant hit and is considered as one the most successful and celebrated tracks of the minimal techno era of the late 2000s. More punchy club hits and BBC1 favourites like the cheeky acid-house banger ‘Lampuca For Me’ or the spacey open air techno anthem ‘Gravity?’ followed and Remute also became a busy remixer for artists like GusGus, Solomun, Dominik Eulberg or Daniel Avery. Driven by the urge to push the boundaries of TECHNOlogy, it was never enough for Remute to deliver dancefloors hits only. Since the beginning of his career Remute was the sole ruler of his artistic vision and no managers, no agents and no producers were ever allowed to interfere with his work: While others in the early 2010s were busy to jump on the EDM-bandwaggon and took the first opportunity to sell out, Remute devoted himself to commercially risky and artistically uncompromising projects like ‘24’, which is a 24 hour long ambient recording (named by Mixmag as a ‘24 hour anthem’) and ‘REMUTE24’, a series of digital music releases remixing news headlines running for over 6 years, week by week, non-stop. Additionally he released highly successful J-Pop with his song ‘Play The Game’, recorded a Cyberpunk-esque soundtrack for the classic silent film ‘Metropolis’ with his 2014 album ‘Yoshiwara’ (got him ‘Album Of The Month’ honours in Mixmag) and was very active as a soundtrack-producer for several videogames. After over 15 years in music business and countless gigs from Miami to Moscow to Tokio, 2018 is a pivotal year for Remute: His album ‘Limited’, a hybrid release consisting of 7” vinyl and a 3,5” floppy disk, is regarded as a trailblazer of a strong floppy disk comeback… as a valid music format! With some clever usage of technology and creative dealing with the data limitations of this format, Remute once more succeeds in establishing his very own technologic sound aesthetics and setting new distinctive trends for unique performances while constantly questioning the status quo. Besides getting enthusiastically labelled as ‘limited techno’ by CBC, the Los Angeles Times also points out that he is Techno’s only true Disk Jockey - literally.
Steam, Windows
Make quick dough in spite of ruthless competition, crooked authorities and greedy gangsters. Pizza Tycoon is a humorous business strategy game that challenges you to build a pizza empire from scratch. Try this spicy slice of the pizza-making business.
Ingredients:
Use demographics to determine the best location for your restaurant
Keep on top of the latest eating trends to build your customer base
Contact competing banks to get the lowest interest rates
Buy restaurant furniture and equipment
Hire waiters, cooks and a manager, each with their own skills
Fight off the competition and decide on how to work with underworld gangsters
Build your empire across cities, Europe or America
Use billboards, newspapers or TV ads to advertise your restaurant
Create your own pizzas or make traditional ones using our colorful cookbook
Enter pizza contests against competing restaurants
System Requirements:
OS: Windows (XP, Vista, 7, 8, 10)
Processor: 1,8 GHz
Memory: 512 MB RAM
Graphics: 3D graphics card compatible with DirectX 7 (compatible with DirectX 9 recommended)
Storage: 1 GB available space
Steam, Windows
Macbat 64 is a low poly 3D Platformer and 4:3 loveletter to the late 90s.
Classic 3D platforming! A variety of different micro worlds! Different gamplay styles! A lot of unique and characteristic NPCs to interact with!
All the 3D platforming goodness from the late 90s is back! Search, Collect and Jump (multiple times in a row even!) like it’s 1998!
3D Platforming is not enough? Well, I got some kart racing, 8-Bit minigames, stunt driving 80s cars, First Person shooting sections, 2.5D Sections, a bar full of half drunk characters and a temple full of water for you! …wait, come back here! The waterlevel is not that difficult, I promise!
System Requirements:
OS: Windows Vista, 7, 8 or 10
Processor: Pentium(R) Dual-Core CPU T4200 2.00GHz
Memory: 1 GB RAM
Graphics: ATI Mobility Radeon HD 3450
Storage: 300 MB available space
Sound Card: Windows Compatible Card
Steam, Windows, OSX, Linux
Permute - rotate and navigate a colorful world in this exploration/speedrunning platformer game.
System Requirements:
OS: Windows XP
Processor: SSE2 instruction set support
Memory: 128 MB RAM
DirectX: Version 9.0
Storage: 500 MB available spac
DRM-Free, Itch.io, Windows
A love letter to the horror-themed action platformers of the 80’s, The Abomination will keep you on the edge of your seat.
This PC game features state-of-the-art low-res graphics and chiptunes in stereo!
Gamepad compatible!
Use your mighty greatsword to hew the undead! Enter RAGE MODE to increase your horrific might! Hurl a javelin - send them back to the netherworld from whence they came!
DRM-Free, Steam, Windows, Itch.io
Ben the Exorcist is horror/comedy game from first person perspective.
The task of our titular Hero is to banish annoying ghosts from haunted house of Whiterspoon family so they could finally continue their boring life peacefully.
Story: You are Ben, an unknown exorcist, who has been summoned to the Witherspoon house because of strange goings on that have frightened the family from their home.
Stepping into the unknown to face ghosts and terrifying creatures, armed with faith, holy water and a UV flashlight, your job as Exorcist is to figure out why the spirits are angry, to seek out the hidden secrets that will finally put their souls rest and allow the Witherspoon family to return to their home.
Are you afraid? Of course you are, but you are Ben the Exorcist.
Key features: Unique story Fighting ghosts Full exorcist arsenal Big dose of humor
System Requirements:
OS: Windows 7 64bit
CPU: Intel i5 or AMD FX 8500+ Series
RAM: 4 GB RAM
Video card: 1GB Video RAM
Free Disk Space: 3,2 GB
As promotion goals are achieved, bonuses are unlocked for everyone.
DRM-Free, Itch.io, Windows
PushGo is a fast paced one button game for 1-4 players. Take control of one of four colorful characters as you stomp, shoot, and blow up your friends through 16 levels of grueling multiplayer combat.
In the distant future, after humanity has fallen into ruins, a new form of entertainment rules; the Tournament. Pitting the best warriors from 4 different tribes against each other, they battle for supremacy.
Play against your friends or up to 3 bots on a single keyboard, or 1-4 gamepad controllers.
Features
Innovative one button control scheme Fast paced competative gameplay 16 distinct levels Four distinct themes (Ruins, Grasslands, Lava, and Snow) 7 destructive power ups Singleplayer and multiplayer Play however you like (keyboard or 1-4 gamepad controllers)
System Requirements:
2 GB Ram
Win 7/8/10
Windows compatible keyboard/gamepad
MP3
remute (live) at revision 2017
Hamburg-based Techno artist Remute has a very ‘technological’ approach to this genre - intense interaction with technology made him do the most amazing things: Remute’s career began in the early 2000s with his first EP ‘Hypnoconsole’ which unmistakably drew inspiration from the flickering world of early 80s and 90s computergames and acid-filled rave-sequences mixed up in a timeless punky DIY-way - even in 2017 ‘Hypnoconsole’ is still considered as a ‘punk techno’ reference by Bandcamp. The success of his first release made Remute tour for years and perform at acclaimed festivals and clubs like for example Golden Pudel and Berghain. Various contemporary high-profile labels got aware of Remute - in 2006 he released his self-titled debut album via the legendary label ‘Ladomat’ from Hamburg. After several further releases on labels like Tresor, Traum, Smallville or Bedrock Remute founded his very own Remute-label in 2008. The first release of the label, ‘Zuendli’, became an instant hit and is considered as one the most successful and celebrated tracks of the minimal techno era of the late 2000s. More punchy club hits and BBC1 favourites like the cheeky acid-house banger ‘Lampuca For Me’ or the spacey open air techno anthem ‘Gravity?’ followed and Remute also became a busy remixer for artists like GusGus, Solomun, Dominik Eulberg or Daniel Avery. Driven by the urge to push the boundaries of TECHNOlogy, it was never enough for Remute to deliver dancefloors hits only. Since the beginning of his career Remute was the sole ruler of his artistic vision and no managers, no agents and no producers were ever allowed to interfere with his work: While others in the early 2010s were busy to jump on the EDM-bandwaggon and took the first opportunity to sell out, Remute devoted himself to commercially risky and artistically uncompromising projects like ‘24’, which is a 24 hour long ambient recording (named by Mixmag as a ‘24 hour anthem’) and ‘REMUTE24’, a series of digital music releases remixing news headlines running for over 6 years, week by week, non-stop. Additionally he released highly successful J-Pop with his song ‘Play The Game’, recorded a Cyberpunk-esque soundtrack for the classic silent film ‘Metropolis’ with his 2014 album ‘Yoshiwara’ (got him ‘Album Of The Month’ honours in Mixmag) and was very active as a soundtrack-producer for several videogames. After over 15 years in music business and countless gigs from Miami to Moscow to Tokio, 2018 is a pivotal year for Remute: His album ‘Limited’, a hybrid release consisting of 7” vinyl and a 3,5” floppy disk, is regarded as a trailblazer of a strong floppy disk comeback… as a valid music format! With some clever usage of technology and creative dealing with the data limitations of this format, Remute once more succeeds in establishing his very own technologic sound aesthetics and setting new distinctive trends for unique performances while constantly questioning the status quo. Besides getting enthusiastically labelled as ‘limited techno’ by CBC, the Los Angeles Times also points out that he is Techno’s only true Disk Jockey - literally.
by Remute
Coded Messages #4
Hamburg-based Techno artist Remute has a very ‘technological’ approach to this genre - intense interaction with technology made him do the most amazing things: Remute’s career began in the early 2000s with his first EP ‘Hypnoconsole’ which unmistakably drew inspiration from the flickering world of early 80s and 90s computergames and acid-filled rave-sequences mixed up in a timeless punky DIY-way - even in 2017 ‘Hypnoconsole’ is still considered as a ‘punk techno’ reference by Bandcamp. The success of his first release made Remute tour for years and perform at acclaimed festivals and clubs like for example Golden Pudel and Berghain. Various contemporary high-profile labels got aware of Remute - in 2006 he released his self-titled debut album via the legendary label ‘Ladomat’ from Hamburg. After several further releases on labels like Tresor, Traum, Smallville or Bedrock Remute founded his very own Remute-label in 2008. The first release of the label, ‘Zuendli’, became an instant hit and is considered as one the most successful and celebrated tracks of the minimal techno era of the late 2000s. More punchy club hits and BBC1 favourites like the cheeky acid-house banger ‘Lampuca For Me’ or the spacey open air techno anthem ‘Gravity?’ followed and Remute also became a busy remixer for artists like GusGus, Solomun, Dominik Eulberg or Daniel Avery. Driven by the urge to push the boundaries of TECHNOlogy, it was never enough for Remute to deliver dancefloors hits only. Since the beginning of his career Remute was the sole ruler of his artistic vision and no managers, no agents and no producers were ever allowed to interfere with his work: While others in the early 2010s were busy to jump on the EDM-bandwaggon and took the first opportunity to sell out, Remute devoted himself to commercially risky and artistically uncompromising projects like ‘24’, which is a 24 hour long ambient recording (named by Mixmag as a ‘24 hour anthem’) and ‘REMUTE24’, a series of digital music releases remixing news headlines running for over 6 years, week by week, non-stop. Additionally he released highly successful J-Pop with his song ‘Play The Game’, recorded a Cyberpunk-esque soundtrack for the classic silent film ‘Metropolis’ with his 2014 album ‘Yoshiwara’ (got him ‘Album Of The Month’ honours in Mixmag) and was very active as a soundtrack-producer for several videogames. After over 15 years in music business and countless gigs from Miami to Moscow to Tokio, 2018 is a pivotal year for Remute: His album ‘Limited’, a hybrid release consisting of 7” vinyl and a 3,5” floppy disk, is regarded as a trailblazer of a strong floppy disk comeback… as a valid music format! With some clever usage of technology and creative dealing with the data limitations of this format, Remute once more succeeds in establishing his very own technologic sound aesthetics and setting new distinctive trends for unique performances while constantly questioning the status quo. Besides getting enthusiastically labelled as ‘limited techno’ by CBC, the Los Angeles Times also points out that he is Techno’s only true Disk Jockey - literally.
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$15.00
A signed vinyl copy of Remute’s new release ‘Transhuman / The Solution’ + Remute stickers
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