System Requirements:

OS: Windows XP
Processor: Core 2 Duo E4300 1.8GHz
Memory: 2 GB RAM
Graphics: GeForce 7600 GS
DirectX: Version 9.0c
Hard Drive: 2 GB available space

System Requirements:

MINIMUM:
OS: PC (XP, Vista, 7)
Windows 8 is playable but has some known crash issues (hit-all attacks are not usable in the game).
Processor: 1.2GHz processor
Memory: 512 MB RAM
Graphics: DirectX 8-compatible graphics card with at least 32MB of video memory
DirectX: Version 9.0c
Hard Drive: 100 MB available space

System Requirements:

• Windows XP
  - GPU DirectX9 compatible with 256MB.
  - 1 GB RAM
  - 2 GHz INTEL/AMD CPU

System Requirements:

Platform
Windows, Mac, Linux
Download Size
50 MB
Release Date
March 27, 2014
Language
English, French, Spanish, Portuguese, German
Developer/Publisher
Noego
System Requirements
Windows XP / Vista / 7 / 8 • 2.4 GHz CPU • 1 GB RAM • 100 MB free HD space • Uses mouse and keyboard
PEGI
n/a
DRM
No
Version
1.0

System Requirements:

intel core2duo, intel hd graphics, 2 GB RAM, Windows 7.

This is the original soundtrack of LEVEL 22, the first stealth comedy game inspired by the unforgiving and hectic world of office work!

Hamburg-based Techno artist Remute has a very ‘technological’ approach to this genre - intense interaction with technology made him do the most amazing things: Remute’s career began in the early 2000s with his first EP ‘Hypnoconsole’ which unmistakably drew inspiration from the flickering world of early 80s and 90s computergames and acid-filled rave-sequences mixed up in a timeless punky DIY-way - even in 2017 ‘Hypnoconsole’ is still considered as a ‘punk techno’ reference by Bandcamp. The success of his first release made Remute tour for years and perform at acclaimed festivals and clubs like for example Golden Pudel and Berghain. Various contemporary high-profile labels got aware of Remute - in 2006 he released his self-titled debut album via the legendary label ‘Ladomat’ from Hamburg. After several further releases on labels like Tresor, Traum, Smallville or Bedrock Remute founded his very own Remute-label in 2008. The first release of the label, ‘Zuendli’, became an instant hit and is considered as one the most successful and celebrated tracks of the minimal techno era of the late 2000s. More punchy club hits and BBC1 favourites like the cheeky acid-house banger ‘Lampuca For Me’ or the spacey open air techno anthem ‘Gravity?’ followed and Remute also became a busy remixer for artists like GusGus, Solomun, Dominik Eulberg or Daniel Avery. Driven by the urge to push the boundaries of TECHNOlogy, it was never enough for Remute to deliver dancefloors hits only. Since the beginning of his career Remute was the sole ruler of his artistic vision and no managers, no agents and no producers were ever allowed to interfere with his work: While others in the early 2010s were busy to jump on the EDM-bandwaggon and took the first opportunity to sell out, Remute devoted himself to commercially risky and artistically uncompromising projects like ‘24’, which is a 24 hour long ambient recording (named by Mixmag as a ‘24 hour anthem’) and ‘REMUTE24’, a series of digital music releases remixing news headlines running for over 6 years, week by week, non-stop. Additionally he released highly successful J-Pop with his song ‘Play The Game’, recorded a Cyberpunk-esque soundtrack for the classic silent film ‘Metropolis’ with his 2014 album ‘Yoshiwara’ (got him ‘Album Of The Month’ honours in Mixmag) and was very active as a soundtrack-producer for several videogames. After over 15 years in music business and countless gigs from Miami to Moscow to Tokio, 2018 is a pivotal year for Remute: His album ‘Limited’, a hybrid release consisting of 7” vinyl and a 3,5” floppy disk, is regarded as a trailblazer of a strong floppy disk comeback… as a valid music format! With some clever usage of technology and creative dealing with the data limitations of this format, Remute once more succeeds in establishing his very own technologic sound aesthetics and setting new distinctive trends for unique performances while constantly questioning the status quo. Besides getting enthusiastically labelled as ‘limited techno’ by CBC, the Los Angeles Times also points out that he is Techno’s only true Disk Jockey - literally.

Uwe Schmidt (born 27 August 1968 in Frankfurt am Main, Germany), also known as Dr. Atmo, Atom™, Atom Heart, or Señor Coconut, is a German composer, musician and producer of electronic music. He is often regarded as the father of electrolatino, electrogospel, and aciton (acid-reggaeton) music.

Uwe Schmidt (born 27 August 1968 in Frankfurt am Main, Germany), also known as Dr. Atmo, Atom™, Atom Heart, or Señor Coconut, is a German composer, musician and producer of electronic music. He is often regarded as the father of electrolatino, electrogospel, and aciton (acid-reggaeton) music.

Globally praised for his refined sensibilities as a DJ and producer, Gez Varley first came to prominence as half of the ground-breaking electronic duo LFO. The unstoppable team topped UK charts in 1990 with their first release and gained international acclaim, selling 150,000 copies worldwide. Forging ahead solo as G- Man, Varley recorded for labels including Warp, Force-inc, Gigolo, Swim, K7, White Noise, and +8. In collaboration, he’s stood next to the likes of Mark Bell, Richie Hawtin, Karl Bartos, Marco Carola, and Thomas P. Heckmann. His remixes have redefined the songs of Radiohead, YMO, Art of Noise, Afrika Bambaataa, Laurent Garner, Soft Ballet, Alan Wilder (Depeche Mode), AUX 88 and many others.

Over the years, Varley has dedicated his ears to shaking the walls at the world’s top clubs, from Nature One Germany to Sonar Spain, Berghain Berlin, The Orbit in Leeds, Frankfurt’s Omen, NYC’s New Music Seminar, and Liquid Room Tokyo. His vast career spans more than two decades, during which Varley has sold more than 500,000 records. His music has appeared in compilations, computer games, and commercials.

System Requirements:

intel core2duo, intel hd graphics, 2 GB RAM, Windows 7. r0x EP was part-developed on a humble Dell Inspiron M5040 (running Windows 7)
and ran at a steady 60FPS, so it should run on any Windows PC of a similar or better specification without any issues. Originally designed as an Ouya title, r0x EP also runs on similar spec Android devices, but you will require a controller to play. The Windows version supports keyboard controls as well as joypad.

Hamburg-based Techno artist Remute has a very ‘technological’ approach to this genre - intense interaction with technology made him do the most amazing things: Remute’s career began in the early 2000s with his first EP ‘Hypnoconsole’ which unmistakably drew inspiration from the flickering world of early 80s and 90s computergames and acid-filled rave-sequences mixed up in a timeless punky DIY-way - even in 2017 ‘Hypnoconsole’ is still considered as a ‘punk techno’ reference by Bandcamp. The success of his first release made Remute tour for years and perform at acclaimed festivals and clubs like for example Golden Pudel and Berghain. Various contemporary high-profile labels got aware of Remute - in 2006 he released his self-titled debut album via the legendary label ‘Ladomat’ from Hamburg. After several further releases on labels like Tresor, Traum, Smallville or Bedrock Remute founded his very own Remute-label in 2008. The first release of the label, ‘Zuendli’, became an instant hit and is considered as one the most successful and celebrated tracks of the minimal techno era of the late 2000s. More punchy club hits and BBC1 favourites like the cheeky acid-house banger ‘Lampuca For Me’ or the spacey open air techno anthem ‘Gravity?’ followed and Remute also became a busy remixer for artists like GusGus, Solomun, Dominik Eulberg or Daniel Avery. Driven by the urge to push the boundaries of TECHNOlogy, it was never enough for Remute to deliver dancefloors hits only. Since the beginning of his career Remute was the sole ruler of his artistic vision and no managers, no agents and no producers were ever allowed to interfere with his work: While others in the early 2010s were busy to jump on the EDM-bandwaggon and took the first opportunity to sell out, Remute devoted himself to commercially risky and artistically uncompromising projects like ‘24’, which is a 24 hour long ambient recording (named by Mixmag as a ‘24 hour anthem’) and ‘REMUTE24’, a series of digital music releases remixing news headlines running for over 6 years, week by week, non-stop. Additionally he released highly successful J-Pop with his song ‘Play The Game’, recorded a Cyberpunk-esque soundtrack for the classic silent film ‘Metropolis’ with his 2014 album ‘Yoshiwara’ (got him ‘Album Of The Month’ honours in Mixmag) and was very active as a soundtrack-producer for several videogames. After over 15 years in music business and countless gigs from Miami to Moscow to Tokio, 2018 is a pivotal year for Remute: His album ‘Limited’, a hybrid release consisting of 7” vinyl and a 3,5” floppy disk, is regarded as a trailblazer of a strong floppy disk comeback… as a valid music format! With some clever usage of technology and creative dealing with the data limitations of this format, Remute once more succeeds in establishing his very own technologic sound aesthetics and setting new distinctive trends for unique performances while constantly questioning the status quo. Besides getting enthusiastically labelled as ‘limited techno’ by CBC, the Los Angeles Times also points out that he is Techno’s only true Disk Jockey - literally.

As a key figure of early and contemporary German Techno, EBM-Techno and Acid, Thomas P. Heckmann has shaped the landscape of electronic music since his very beginning in 1990 ! His huge success as DRAX LTD.II - AMPHETAMINE, KNARZ - TANZMASCHINE, SILENT BREED - SYNC IN, WELT IN SCHERBEN, EXIT 100, aso, set standards and beyond in the under- and overground ! His legendary collection of instruments and rarities are always a guaranty for new sounds and far out experiments that are far away from mainstream ! His live- and DJ-sets are classics and more Rock’N’Roll than anything else and his Knarz vocal tracks Tanzmaschine and Kind Der Nacht have developed a massive following and fan base and are more like concerts than gigs ! He is also an acclaimed and well know collector of Synthesizers, drum machines, space toys aso. With his labels AFU Limited (gave big ups to Popof, Butch, Felix Bernhardt, Lowkey & Kardinal aso.), AFULAB, Trope Recordings and Wavescape aso. he is continuing his innovative way and leads the paths for other musicians from France, Japan, Russia, Germany, Iceland, Italy, Sweden who all release on his labels ! Two new albums are on the way for Carpe Sonum in the US, the next part in his Lost Tales series, The Lost Tales Volume IV and Ghosts that both contain electronic and experimental music.

System Requirements:

Minimum:

Intel Dual core CPU at 1.8GHtz
64Mb Video Card
Windows XP
1 GB RAM

Recomended
Intel i3 CPU at 2.0GHtz
GeForce GTX 745
3GB Ram

Hamburg-based Techno artist Remute has a very ‘technological’ approach to this genre - intense interaction with technology made him do the most amazing things: Remute’s career began in the early 2000s with his first EP ‘Hypnoconsole’ which unmistakably drew inspiration from the flickering world of early 80s and 90s computergames and acid-filled rave-sequences mixed up in a timeless punky DIY-way - even in 2017 ‘Hypnoconsole’ is still considered as a ‘punk techno’ reference by Bandcamp. The success of his first release made Remute tour for years and perform at acclaimed festivals and clubs like for example Golden Pudel and Berghain. Various contemporary high-profile labels got aware of Remute - in 2006 he released his self-titled debut album via the legendary label ‘Ladomat’ from Hamburg. After several further releases on labels like Tresor, Traum, Smallville or Bedrock Remute founded his very own Remute-label in 2008. The first release of the label, ‘Zuendli’, became an instant hit and is considered as one the most successful and celebrated tracks of the minimal techno era of the late 2000s. More punchy club hits and BBC1 favourites like the cheeky acid-house banger ‘Lampuca For Me’ or the spacey open air techno anthem ‘Gravity?’ followed and Remute also became a busy remixer for artists like GusGus, Solomun, Dominik Eulberg or Daniel Avery. Driven by the urge to push the boundaries of TECHNOlogy, it was never enough for Remute to deliver dancefloors hits only. Since the beginning of his career Remute was the sole ruler of his artistic vision and no managers, no agents and no producers were ever allowed to interfere with his work: While others in the early 2010s were busy to jump on the EDM-bandwaggon and took the first opportunity to sell out, Remute devoted himself to commercially risky and artistically uncompromising projects like ‘24’, which is a 24 hour long ambient recording (named by Mixmag as a ‘24 hour anthem’) and ‘REMUTE24’, a series of digital music releases remixing news headlines running for over 6 years, week by week, non-stop. Additionally he released highly successful J-Pop with his song ‘Play The Game’, recorded a Cyberpunk-esque soundtrack for the classic silent film ‘Metropolis’ with his 2014 album ‘Yoshiwara’ (got him ‘Album Of The Month’ honours in Mixmag) and was very active as a soundtrack-producer for several videogames. After over 15 years in music business and countless gigs from Miami to Moscow to Tokio, 2018 is a pivotal year for Remute: His album ‘Limited’, a hybrid release consisting of 7” vinyl and a 3,5” floppy disk, is regarded as a trailblazer of a strong floppy disk comeback… as a valid music format! With some clever usage of technology and creative dealing with the data limitations of this format, Remute once more succeeds in establishing his very own technologic sound aesthetics and setting new distinctive trends for unique performances while constantly questioning the status quo. Besides getting enthusiastically labelled as ‘limited techno’ by CBC, the Los Angeles Times also points out that he is Techno’s only true Disk Jockey - literally.