$1 minimum 7 + 13 + 1 other
Steam, DRM-Free, Windows
MIND: Path to Thalamus is a First Person Puzzler that throws you into a fantastic and surreal environment. You will bend the natural elements to your will in order to progress in this emotive, mindbending tale.
System Requirements:
OS: Windows XP
Processor: Core 2 Duo E4300 1.8GHz
Memory: 2 GB RAM
Graphics: GeForce 7600 GS
DirectX: Version 9.0c
Hard Drive: 2 GB available space
Desura, DRM-Free, Windows
Phantasmaburbia is an indie RPG Adventure game. Think Earthbound meets Zelda. It has a focus on fun, playability, puzzles and atmosphere.
The year is 201X (twenty-X-teen) and Owl Creek, a small modern neighborhood, has suddenly been overrun with ghosts. Four local kids, wielding weapons found in their homes and assisted by spirits of their ancestors, go on a suburban adventure to fight them.
System Requirements:
MINIMUM:
OS: PC (XP, Vista, 7)
Windows 8 is playable but has some known crash issues (hit-all attacks are not usable in the game).
Processor: 1.2GHz processor
Memory: 512 MB RAM
Graphics: DirectX 8-compatible graphics card with at least 32MB of video memory
DirectX: Version 9.0c
Hard Drive: 100 MB available space
Desura, DRM-Free, Windows
Beekyr is a ‘bullet hell’ 16-bit style shoot’em up, that leads our cool bee through 23 amazing levels* in fields, trees, forests, rivers, waterfalls, jungles and caves to avenge his queen and hive from the nasty wasp queens and their soldiers… Very similar to space shooters but set in the world of bugs.
System Requirements:
Steam, DRM-Free, Windows, OSX, Linux
Gary is an office worker who oversleeps after a drunken night out on the town. Here’s where it gets tricky, because this isn’t the first time Gary’s been late for work, and he could be fired if he’s spotted arriving at his desk after everyone else yet again. So he’ll have to prove he’s smart and sneaky enough to make his way up all the 22 floors between him and his office without being seen.
System Requirements:
Platform
Windows, Mac, Linux
Download Size
50 MB
Release Date
March 27, 2014
Language
English, French, Spanish, Portuguese, German
Developer/Publisher
Noego
System Requirements
Windows XP / Vista / 7 / 8 • 2.4 GHz CPU • 1 GB RAM • 100 MB free HD space • Uses mouse and keyboard
PEGI
n/a
DRM
No
Version
1.0
Desura, DRM-Free, Windows
One silent and dark night Ava is driving through the country side just minding her own business. When all of a sudden a meteor shower begins bombarding the surrounding country side, striking here car. After the accident she is struck with new and terrible power. To grow into a Colossal Mutant! Her mind now corrupted by this power, she grows to an enormous size in order to assert her dominance over this world.
System Requirements:
intel core2duo, intel hd graphics, 2 GB RAM, Windows 7.
by Morusque
Level 22 Gary’s Misadventures Official Soundtrack composed by Morusque of Game Audio Foundry.
This is the original soundtrack of LEVEL 22, the first stealth comedy game inspired by the unforgiving and hectic world of office work!
by Remute
remute’s compilation “weird times, weird tunes #1” gathers some of the weirdest pieces of his ongoing release-series ‘remute24’ which transforms news-headlines, zeitgeist-moods and strange happenings into kicking techno-tracks. and it even features a christmas-song.
Hamburg-based Techno artist Remute has a very ‘technological’ approach to this genre - intense interaction with technology made him do the most amazing things: Remute’s career began in the early 2000s with his first EP ‘Hypnoconsole’ which unmistakably drew inspiration from the flickering world of early 80s and 90s computergames and acid-filled rave-sequences mixed up in a timeless punky DIY-way - even in 2017 ‘Hypnoconsole’ is still considered as a ‘punk techno’ reference by Bandcamp. The success of his first release made Remute tour for years and perform at acclaimed festivals and clubs like for example Golden Pudel and Berghain. Various contemporary high-profile labels got aware of Remute - in 2006 he released his self-titled debut album via the legendary label ‘Ladomat’ from Hamburg. After several further releases on labels like Tresor, Traum, Smallville or Bedrock Remute founded his very own Remute-label in 2008. The first release of the label, ‘Zuendli’, became an instant hit and is considered as one the most successful and celebrated tracks of the minimal techno era of the late 2000s. More punchy club hits and BBC1 favourites like the cheeky acid-house banger ‘Lampuca For Me’ or the spacey open air techno anthem ‘Gravity?’ followed and Remute also became a busy remixer for artists like GusGus, Solomun, Dominik Eulberg or Daniel Avery. Driven by the urge to push the boundaries of TECHNOlogy, it was never enough for Remute to deliver dancefloors hits only. Since the beginning of his career Remute was the sole ruler of his artistic vision and no managers, no agents and no producers were ever allowed to interfere with his work: While others in the early 2010s were busy to jump on the EDM-bandwaggon and took the first opportunity to sell out, Remute devoted himself to commercially risky and artistically uncompromising projects like ‘24’, which is a 24 hour long ambient recording (named by Mixmag as a ‘24 hour anthem’) and ‘REMUTE24’, a series of digital music releases remixing news headlines running for over 6 years, week by week, non-stop. Additionally he released highly successful J-Pop with his song ‘Play The Game’, recorded a Cyberpunk-esque soundtrack for the classic silent film ‘Metropolis’ with his 2014 album ‘Yoshiwara’ (got him ‘Album Of The Month’ honours in Mixmag) and was very active as a soundtrack-producer for several videogames. After over 15 years in music business and countless gigs from Miami to Moscow to Tokio, 2018 is a pivotal year for Remute: His album ‘Limited’, a hybrid release consisting of 7” vinyl and a 3,5” floppy disk, is regarded as a trailblazer of a strong floppy disk comeback… as a valid music format! With some clever usage of technology and creative dealing with the data limitations of this format, Remute once more succeeds in establishing his very own technologic sound aesthetics and setting new distinctive trends for unique performances while constantly questioning the status quo. Besides getting enthusiastically labelled as ‘limited techno’ by CBC, the Los Angeles Times also points out that he is Techno’s only true Disk Jockey - literally.
by Atom Heart
   |
As the title “the singles” already suggests, the tracks selected for this release are taken from atom heart’s earliest production period, when his music was almost entirely released on 12inch vinyl format. those releases and the music they contained have been out of print and unavailable in some cases for over 20 years. all titles were restored from the original mastertapes and carefully remastered. like on no other release before atomtm’s musical development, beginning from the early club-oriented material up to nowa-days “advanced listening” can be clearly followed.
Uwe Schmidt (born 27 August 1968 in Frankfurt am Main, Germany), also known as Dr. Atmo, Atom™, Atom Heart, or Señor Coconut, is a German composer, musician and producer of electronic music. He is often regarded as the father of electrolatino, electrogospel, and aciton (acid-reggaeton) music.
by Atom Heart
|
As the title “the singles” already suggests, the tracks selected for this release are taken from atom heart’s earliest production period, when his music was almost entirely released on 12inch vinyl format. those releases and the music they contained have been out of print and unavailable in some cases for over 20 years. all titles were restored from the original mastertapes and carefully remastered. like on no other release before atomtm’s musical development, beginning from the early club-oriented material up to nowa-days “advanced listening” can be clearly followed.
Uwe Schmidt (born 27 August 1968 in Frankfurt am Main, Germany), also known as Dr. Atmo, Atom™, Atom Heart, or Señor Coconut, is a German composer, musician and producer of electronic music. He is often regarded as the father of electrolatino, electrogospel, and aciton (acid-reggaeton) music.
by G-Man
|
g-man´s Kushti album brings together all his early releases on “swim records” from the period 95-96, including classics like “ quo vadis “ ..El Jem ,Sarticus ,Legion and more.. even today most of the top dj´s still play out g-man tracks ..Ritchie Hawtin ,Claude young .Jeff mills Marco Corola to name but a few.
Globally praised for his refined sensibilities as a DJ and producer, Gez Varley first came to prominence as half of the ground-breaking electronic duo LFO. The unstoppable team topped UK charts in 1990 with their first release and gained international acclaim, selling 150,000 copies worldwide. Forging ahead solo as G- Man, Varley recorded for labels including Warp, Force-inc, Gigolo, Swim, K7, White Noise, and +8. In collaboration, he’s stood next to the likes of Mark Bell, Richie Hawtin, Karl Bartos, Marco Carola, and Thomas P. Heckmann. His remixes have redefined the songs of Radiohead, YMO, Art of Noise, Afrika Bambaataa, Laurent Garner, Soft Ballet, Alan Wilder (Depeche Mode), AUX 88 and many others.
Over the years, Varley has dedicated his ears to shaking the walls at the world’s top clubs, from Nature One Germany to Sonar Spain, Berghain Berlin, The Orbit in Leeds, Frankfurt’s Omen, NYC’s New Music Seminar, and Liquid Room Tokyo. His vast career spans more than two decades, during which Varley has sold more than 500,000 records. His music has appeared in compilations, computer games, and commercials.
DRM-Free, Windows, Android
More avoid-em-up than traditional shmup, r0x (Extended Play) is a simple arcade game where ammo is scarce and you are rewarded generously for taking risks and flying dangerously. Graze rocks, bullets and enemies or thrust at breakneck speed through the deadly meteor storm to rack up an epic score!
100% of profits delegated to the r0x devs will be donated to Soles4Souls charity
System Requirements:
intel core2duo, intel hd graphics, 2 GB RAM, Windows 7. r0x EP was part-developed on a humble Dell Inspiron M5040 (running Windows 7)
and ran at a steady 60FPS, so it should run on any Windows PC of a similar or better specification without any issues. Originally designed as an Ouya title, r0x EP also runs on similar spec Android devices, but you will require a controller to play. The Windows version supports keyboard controls as well as joypad.
MP3, FLAC
Remute will perform a live streaming DJ Set (audio only) with a downloadable MP3 available after.
UPDATE Download the live set if you have this bundle.
Hamburg-based Techno artist Remute has a very ‘technological’ approach to this genre - intense interaction with technology made him do the most amazing things: Remute’s career began in the early 2000s with his first EP ‘Hypnoconsole’ which unmistakably drew inspiration from the flickering world of early 80s and 90s computergames and acid-filled rave-sequences mixed up in a timeless punky DIY-way - even in 2017 ‘Hypnoconsole’ is still considered as a ‘punk techno’ reference by Bandcamp. The success of his first release made Remute tour for years and perform at acclaimed festivals and clubs like for example Golden Pudel and Berghain. Various contemporary high-profile labels got aware of Remute - in 2006 he released his self-titled debut album via the legendary label ‘Ladomat’ from Hamburg. After several further releases on labels like Tresor, Traum, Smallville or Bedrock Remute founded his very own Remute-label in 2008. The first release of the label, ‘Zuendli’, became an instant hit and is considered as one the most successful and celebrated tracks of the minimal techno era of the late 2000s. More punchy club hits and BBC1 favourites like the cheeky acid-house banger ‘Lampuca For Me’ or the spacey open air techno anthem ‘Gravity?’ followed and Remute also became a busy remixer for artists like GusGus, Solomun, Dominik Eulberg or Daniel Avery. Driven by the urge to push the boundaries of TECHNOlogy, it was never enough for Remute to deliver dancefloors hits only. Since the beginning of his career Remute was the sole ruler of his artistic vision and no managers, no agents and no producers were ever allowed to interfere with his work: While others in the early 2010s were busy to jump on the EDM-bandwaggon and took the first opportunity to sell out, Remute devoted himself to commercially risky and artistically uncompromising projects like ‘24’, which is a 24 hour long ambient recording (named by Mixmag as a ‘24 hour anthem’) and ‘REMUTE24’, a series of digital music releases remixing news headlines running for over 6 years, week by week, non-stop. Additionally he released highly successful J-Pop with his song ‘Play The Game’, recorded a Cyberpunk-esque soundtrack for the classic silent film ‘Metropolis’ with his 2014 album ‘Yoshiwara’ (got him ‘Album Of The Month’ honours in Mixmag) and was very active as a soundtrack-producer for several videogames. After over 15 years in music business and countless gigs from Miami to Moscow to Tokio, 2018 is a pivotal year for Remute: His album ‘Limited’, a hybrid release consisting of 7” vinyl and a 3,5” floppy disk, is regarded as a trailblazer of a strong floppy disk comeback… as a valid music format! With some clever usage of technology and creative dealing with the data limitations of this format, Remute once more succeeds in establishing his very own technologic sound aesthetics and setting new distinctive trends for unique performances while constantly questioning the status quo. Besides getting enthusiastically labelled as ‘limited techno’ by CBC, the Los Angeles Times also points out that he is Techno’s only true Disk Jockey - literally.
by Thomas P. Heckmann
  |
This compilation contains many of his diverse musical styles, but is surely to too short to represent 25 years of music. All tracks written & produced by Thomas P. Heckmann 1990-2014 Licensed from Trope Recordings Germany All rights reserved
As a key figure of early and contemporary German Techno, EBM-Techno and Acid, Thomas P. Heckmann has shaped the landscape of electronic music since his very beginning in 1990 ! His huge success as DRAX LTD.II - AMPHETAMINE, KNARZ - TANZMASCHINE, SILENT BREED - SYNC IN, WELT IN SCHERBEN, EXIT 100, aso, set standards and beyond in the under- and overground ! His legendary collection of instruments and rarities are always a guaranty for new sounds and far out experiments that are far away from mainstream ! His live- and DJ-sets are classics and more Rock’N’Roll than anything else and his Knarz vocal tracks Tanzmaschine and Kind Der Nacht have developed a massive following and fan base and are more like concerts than gigs ! He is also an acclaimed and well know collector of Synthesizers, drum machines, space toys aso. With his labels AFU Limited (gave big ups to Popof, Butch, Felix Bernhardt, Lowkey & Kardinal aso.), AFULAB, Trope Recordings and Wavescape aso. he is continuing his innovative way and leads the paths for other musicians from France, Japan, Russia, Germany, Iceland, Italy, Sweden who all release on his labels ! Two new albums are on the way for Carpe Sonum in the US, the next part in his Lost Tales series, The Lost Tales Volume IV and Ghosts that both contain electronic and experimental music.
Desura, DRM-Free, Windows
Enter the world where dreams and nightmares are born. Play as Red, a familiar called by “Artuo” a knight with a single wish. To be a wizard. Solve the problems that Artuo caused in the Forest of Dreams by trying to eliminate the source of all nightmares!
System Requirements:
Minimum:
Intel Dual core CPU at 1.8GHtz
64Mb Video Card
Windows XP
1 GB RAM
Recomended
Intel i3 CPU at 2.0GHtz
GeForce GTX 745
3GB Ram
by Remute
|
a 27 min techno epic about nobel prize winners.
Hamburg-based Techno artist Remute has a very ‘technological’ approach to this genre - intense interaction with technology made him do the most amazing things: Remute’s career began in the early 2000s with his first EP ‘Hypnoconsole’ which unmistakably drew inspiration from the flickering world of early 80s and 90s computergames and acid-filled rave-sequences mixed up in a timeless punky DIY-way - even in 2017 ‘Hypnoconsole’ is still considered as a ‘punk techno’ reference by Bandcamp. The success of his first release made Remute tour for years and perform at acclaimed festivals and clubs like for example Golden Pudel and Berghain. Various contemporary high-profile labels got aware of Remute - in 2006 he released his self-titled debut album via the legendary label ‘Ladomat’ from Hamburg. After several further releases on labels like Tresor, Traum, Smallville or Bedrock Remute founded his very own Remute-label in 2008. The first release of the label, ‘Zuendli’, became an instant hit and is considered as one the most successful and celebrated tracks of the minimal techno era of the late 2000s. More punchy club hits and BBC1 favourites like the cheeky acid-house banger ‘Lampuca For Me’ or the spacey open air techno anthem ‘Gravity?’ followed and Remute also became a busy remixer for artists like GusGus, Solomun, Dominik Eulberg or Daniel Avery. Driven by the urge to push the boundaries of TECHNOlogy, it was never enough for Remute to deliver dancefloors hits only. Since the beginning of his career Remute was the sole ruler of his artistic vision and no managers, no agents and no producers were ever allowed to interfere with his work: While others in the early 2010s were busy to jump on the EDM-bandwaggon and took the first opportunity to sell out, Remute devoted himself to commercially risky and artistically uncompromising projects like ‘24’, which is a 24 hour long ambient recording (named by Mixmag as a ‘24 hour anthem’) and ‘REMUTE24’, a series of digital music releases remixing news headlines running for over 6 years, week by week, non-stop. Additionally he released highly successful J-Pop with his song ‘Play The Game’, recorded a Cyberpunk-esque soundtrack for the classic silent film ‘Metropolis’ with his 2014 album ‘Yoshiwara’ (got him ‘Album Of The Month’ honours in Mixmag) and was very active as a soundtrack-producer for several videogames. After over 15 years in music business and countless gigs from Miami to Moscow to Tokio, 2018 is a pivotal year for Remute: His album ‘Limited’, a hybrid release consisting of 7” vinyl and a 3,5” floppy disk, is regarded as a trailblazer of a strong floppy disk comeback… as a valid music format! With some clever usage of technology and creative dealing with the data limitations of this format, Remute once more succeeds in establishing his very own technologic sound aesthetics and setting new distinctive trends for unique performances while constantly questioning the status quo. Besides getting enthusiastically labelled as ‘limited techno’ by CBC, the Los Angeles Times also points out that he is Techno’s only true Disk Jockey - literally.
As promotion goals are achieved, bonuses are unlocked for everyone.
DRM-Free, Windows, Android
More avoid-em-up than traditional shmup, r0x (Extended Play) is a simple arcade game where ammo is scarce and you are rewarded generously for taking risks and flying dangerously. Graze rocks, bullets and enemies or thrust at breakneck speed through the deadly meteor storm to rack up an epic score!
100% of profits delegated to the r0x devs will be donated to Soles4Souls charity
System Requirements:
intel core2duo, intel hd graphics, 2 GB RAM, Windows 7. r0x EP was part-developed on a humble Dell Inspiron M5040 (running Windows 7)
and ran at a steady 60FPS, so it should run on any Windows PC of a similar or better specification without any issues. Originally designed as an Ouya title, r0x EP also runs on similar spec Android devices, but you will require a controller to play. The Windows version supports keyboard controls as well as joypad.
MP3, FLAC
Remute will perform a live streaming DJ Set (audio only) with a downloadable MP3 available after.
UPDATE Download the live set if you have this bundle.
Hamburg-based Techno artist Remute has a very ‘technological’ approach to this genre - intense interaction with technology made him do the most amazing things: Remute’s career began in the early 2000s with his first EP ‘Hypnoconsole’ which unmistakably drew inspiration from the flickering world of early 80s and 90s computergames and acid-filled rave-sequences mixed up in a timeless punky DIY-way - even in 2017 ‘Hypnoconsole’ is still considered as a ‘punk techno’ reference by Bandcamp. The success of his first release made Remute tour for years and perform at acclaimed festivals and clubs like for example Golden Pudel and Berghain. Various contemporary high-profile labels got aware of Remute - in 2006 he released his self-titled debut album via the legendary label ‘Ladomat’ from Hamburg. After several further releases on labels like Tresor, Traum, Smallville or Bedrock Remute founded his very own Remute-label in 2008. The first release of the label, ‘Zuendli’, became an instant hit and is considered as one the most successful and celebrated tracks of the minimal techno era of the late 2000s. More punchy club hits and BBC1 favourites like the cheeky acid-house banger ‘Lampuca For Me’ or the spacey open air techno anthem ‘Gravity?’ followed and Remute also became a busy remixer for artists like GusGus, Solomun, Dominik Eulberg or Daniel Avery. Driven by the urge to push the boundaries of TECHNOlogy, it was never enough for Remute to deliver dancefloors hits only. Since the beginning of his career Remute was the sole ruler of his artistic vision and no managers, no agents and no producers were ever allowed to interfere with his work: While others in the early 2010s were busy to jump on the EDM-bandwaggon and took the first opportunity to sell out, Remute devoted himself to commercially risky and artistically uncompromising projects like ‘24’, which is a 24 hour long ambient recording (named by Mixmag as a ‘24 hour anthem’) and ‘REMUTE24’, a series of digital music releases remixing news headlines running for over 6 years, week by week, non-stop. Additionally he released highly successful J-Pop with his song ‘Play The Game’, recorded a Cyberpunk-esque soundtrack for the classic silent film ‘Metropolis’ with his 2014 album ‘Yoshiwara’ (got him ‘Album Of The Month’ honours in Mixmag) and was very active as a soundtrack-producer for several videogames. After over 15 years in music business and countless gigs from Miami to Moscow to Tokio, 2018 is a pivotal year for Remute: His album ‘Limited’, a hybrid release consisting of 7” vinyl and a 3,5” floppy disk, is regarded as a trailblazer of a strong floppy disk comeback… as a valid music format! With some clever usage of technology and creative dealing with the data limitations of this format, Remute once more succeeds in establishing his very own technologic sound aesthetics and setting new distinctive trends for unique performances while constantly questioning the status quo. Besides getting enthusiastically labelled as ‘limited techno’ by CBC, the Los Angeles Times also points out that he is Techno’s only true Disk Jockey - literally.
Desura, DRM-Free, Windows
Enter the world where dreams and nightmares are born. Play as Red, a familiar called by “Artuo” a knight with a single wish. To be a wizard. Solve the problems that Artuo caused in the Forest of Dreams by trying to eliminate the source of all nightmares!
System Requirements:
Minimum:
Intel Dual core CPU at 1.8GHtz
64Mb Video Card
Windows XP
1 GB RAM
Recomended
Intel i3 CPU at 2.0GHtz
GeForce GTX 745
3GB Ram
by Thomas P. Heckmann
|
This compilation contains many of his diverse musical styles, but is surely to too short to represent 25 years of music. All tracks written & produced by Thomas P. Heckmann 1990-2014 Licensed from Trope Recordings Germany All rights reserved
As a key figure of early and contemporary German Techno, EBM-Techno and Acid, Thomas P. Heckmann has shaped the landscape of electronic music since his very beginning in 1990 ! His huge success as DRAX LTD.II - AMPHETAMINE, KNARZ - TANZMASCHINE, SILENT BREED - SYNC IN, WELT IN SCHERBEN, EXIT 100, aso, set standards and beyond in the under- and overground ! His legendary collection of instruments and rarities are always a guaranty for new sounds and far out experiments that are far away from mainstream ! His live- and DJ-sets are classics and more Rock’N’Roll than anything else and his Knarz vocal tracks Tanzmaschine and Kind Der Nacht have developed a massive following and fan base and are more like concerts than gigs ! He is also an acclaimed and well know collector of Synthesizers, drum machines, space toys aso. With his labels AFU Limited (gave big ups to Popof, Butch, Felix Bernhardt, Lowkey & Kardinal aso.), AFULAB, Trope Recordings and Wavescape aso. he is continuing his innovative way and leads the paths for other musicians from France, Japan, Russia, Germany, Iceland, Italy, Sweden who all release on his labels ! Two new albums are on the way for Carpe Sonum in the US, the next part in his Lost Tales series, The Lost Tales Volume IV and Ghosts that both contain electronic and experimental music.
by Remute
|
a 27 min techno epic about nobel prize winners.
Hamburg-based Techno artist Remute has a very ‘technological’ approach to this genre - intense interaction with technology made him do the most amazing things: Remute’s career began in the early 2000s with his first EP ‘Hypnoconsole’ which unmistakably drew inspiration from the flickering world of early 80s and 90s computergames and acid-filled rave-sequences mixed up in a timeless punky DIY-way - even in 2017 ‘Hypnoconsole’ is still considered as a ‘punk techno’ reference by Bandcamp. The success of his first release made Remute tour for years and perform at acclaimed festivals and clubs like for example Golden Pudel and Berghain. Various contemporary high-profile labels got aware of Remute - in 2006 he released his self-titled debut album via the legendary label ‘Ladomat’ from Hamburg. After several further releases on labels like Tresor, Traum, Smallville or Bedrock Remute founded his very own Remute-label in 2008. The first release of the label, ‘Zuendli’, became an instant hit and is considered as one the most successful and celebrated tracks of the minimal techno era of the late 2000s. More punchy club hits and BBC1 favourites like the cheeky acid-house banger ‘Lampuca For Me’ or the spacey open air techno anthem ‘Gravity?’ followed and Remute also became a busy remixer for artists like GusGus, Solomun, Dominik Eulberg or Daniel Avery. Driven by the urge to push the boundaries of TECHNOlogy, it was never enough for Remute to deliver dancefloors hits only. Since the beginning of his career Remute was the sole ruler of his artistic vision and no managers, no agents and no producers were ever allowed to interfere with his work: While others in the early 2010s were busy to jump on the EDM-bandwaggon and took the first opportunity to sell out, Remute devoted himself to commercially risky and artistically uncompromising projects like ‘24’, which is a 24 hour long ambient recording (named by Mixmag as a ‘24 hour anthem’) and ‘REMUTE24’, a series of digital music releases remixing news headlines running for over 6 years, week by week, non-stop. Additionally he released highly successful J-Pop with his song ‘Play The Game’, recorded a Cyberpunk-esque soundtrack for the classic silent film ‘Metropolis’ with his 2014 album ‘Yoshiwara’ (got him ‘Album Of The Month’ honours in Mixmag) and was very active as a soundtrack-producer for several videogames. After over 15 years in music business and countless gigs from Miami to Moscow to Tokio, 2018 is a pivotal year for Remute: His album ‘Limited’, a hybrid release consisting of 7” vinyl and a 3,5” floppy disk, is regarded as a trailblazer of a strong floppy disk comeback… as a valid music format! With some clever usage of technology and creative dealing with the data limitations of this format, Remute once more succeeds in establishing his very own technologic sound aesthetics and setting new distinctive trends for unique performances while constantly questioning the status quo. Besides getting enthusiastically labelled as ‘limited techno’ by CBC, the Los Angeles Times also points out that he is Techno’s only true Disk Jockey - literally.
UPDATE As promised in Bonus #2, Remute will be performing a live streaming DJ set on this page at 4pm PST on 11/4. Listen below and chat while we party! There will be a downloadable audio file of the set after the performance.
UPDATE 2 Thanks to Remute for the sweet DJ set. You can download the audio file now if you have this bundle.
There has been some major disruption with our technical team based in Ukraine and we are not currently able to offer bundles. That may change, we can guarantee users will be able to download their assets through the end of July 2022. We will keep you informed about the future of Groupees here and on social media. Thank you.
