$1 minimum 10 + 3 + 1 other
DRM-Free, Steam, Windows, OSX, Linux
Gardenarium is a chill adventure taking place on a cloud in the sky. You land as a stranger and struggle to gain access to the mysterious Depot by picking up trash and making the land grow.
Gardenarium is made by Paloma Dawkins and Kyler Kelly with the support of KO-OP. Music by Ylang Ylang.
Steam, Windows
“ANKI” is a new platform, arcade, puzzle , game made by an independent artist Wojciech Krupinski. Incredibly addictive idea, which is teleport from left to right and from top to bottom, the author provides us with nice and pleasant moments. The gameplay will absorbs us utterly. “ANKI” is waiting for you.
Main features: -Collecting crystals, and then coloring 50 unique levels. -Collect all the crystals that levels offer, and then go to the next level and have fun. -Collected crystals and buy new levels that will allow you to play all the time at high speed pleasure. -Each level has a different combination of difficulty. -You’re not limited by schematic, each level you have a free hand in where you want to go and how fast you want to collect.
System Requirements:
OS: Windows XP
Processor: CPU Pentium 3, 800 Mhz
Memory: 128 MB RAM
Graphics: Video Any 3D capable card
DirectX: Version 9.0c
Hard Drive: 50 MB available space
DRM-Free, Steam, Windows
Elina’s husband is now in danger ! Will you help her to rescue him through Elina’s subconscious mysteries ?
Philia is an adventure game, the sequel to Elansar. Explore three worlds and solve over 15 puzzles by trying to understand how they work.
by Rainbow Kitten
no crap at all.
Rainbow Kitten is the alias of the esteemed Doctor of Psychoacoustics M. T. Sunshine who has been manipulating sound waves to achieve states of prolonged bliss in listeners here on earth and out in cyberspace since long before you were born.
by Remute
Grinding remixes of Remute’s techno-monster-tune ‘Zuendli’. Feat. Chicago house music legend DJ RUSH!
Hamburg-based Techno artist Remute has a very ‘technological’ approach to this genre - intense interaction with technology made him do the most amazing things: Remute’s career began in the early 2000s with his first EP ‘Hypnoconsole’ which unmistakably drew inspiration from the flickering world of early 80s and 90s computergames and acid-filled rave-sequences mixed up in a timeless punky DIY-way - even in 2017 ‘Hypnoconsole’ is still considered as a ‘punk techno’ reference by Bandcamp. The success of his first release made Remute tour for years and perform at acclaimed festivals and clubs like for example Golden Pudel and Berghain. Various contemporary high-profile labels got aware of Remute - in 2006 he released his self-titled debut album via the legendary label ‘Ladomat’ from Hamburg. After several further releases on labels like Tresor, Traum, Smallville or Bedrock Remute founded his very own Remute-label in 2008. The first release of the label, ‘Zuendli’, became an instant hit and is considered as one the most successful and celebrated tracks of the minimal techno era of the late 2000s. More punchy club hits and BBC1 favourites like the cheeky acid-house banger ‘Lampuca For Me’ or the spacey open air techno anthem ‘Gravity?’ followed and Remute also became a busy remixer for artists like GusGus, Solomun, Dominik Eulberg or Daniel Avery. Driven by the urge to push the boundaries of TECHNOlogy, it was never enough for Remute to deliver dancefloors hits only. Since the beginning of his career Remute was the sole ruler of his artistic vision and no managers, no agents and no producers were ever allowed to interfere with his work: While others in the early 2010s were busy to jump on the EDM-bandwaggon and took the first opportunity to sell out, Remute devoted himself to commercially risky and artistically uncompromising projects like ‘24’, which is a 24 hour long ambient recording (named by Mixmag as a ‘24 hour anthem’) and ‘REMUTE24’, a series of digital music releases remixing news headlines running for over 6 years, week by week, non-stop. Additionally he released highly successful J-Pop with his song ‘Play The Game’, recorded a Cyberpunk-esque soundtrack for the classic silent film ‘Metropolis’ with his 2014 album ‘Yoshiwara’ (got him ‘Album Of The Month’ honours in Mixmag) and was very active as a soundtrack-producer for several videogames. After over 15 years in music business and countless gigs from Miami to Moscow to Tokio, 2018 is a pivotal year for Remute: His album ‘Limited’, a hybrid release consisting of 7” vinyl and a 3,5” floppy disk, is regarded as a trailblazer of a strong floppy disk comeback… as a valid music format! With some clever usage of technology and creative dealing with the data limitations of this format, Remute once more succeeds in establishing his very own technologic sound aesthetics and setting new distinctive trends for unique performances while constantly questioning the status quo. Besides getting enthusiastically labelled as ‘limited techno’ by CBC, the Los Angeles Times also points out that he is Techno’s only true Disk Jockey - literally.
by Remute
Remute’s self-titled debut album from 2006. Rare and out of print… Released on the german cult-label ‘Ladomat’ back in the days…
Hamburg-based Techno artist Remute has a very ‘technological’ approach to this genre - intense interaction with technology made him do the most amazing things: Remute’s career began in the early 2000s with his first EP ‘Hypnoconsole’ which unmistakably drew inspiration from the flickering world of early 80s and 90s computergames and acid-filled rave-sequences mixed up in a timeless punky DIY-way - even in 2017 ‘Hypnoconsole’ is still considered as a ‘punk techno’ reference by Bandcamp. The success of his first release made Remute tour for years and perform at acclaimed festivals and clubs like for example Golden Pudel and Berghain. Various contemporary high-profile labels got aware of Remute - in 2006 he released his self-titled debut album via the legendary label ‘Ladomat’ from Hamburg. After several further releases on labels like Tresor, Traum, Smallville or Bedrock Remute founded his very own Remute-label in 2008. The first release of the label, ‘Zuendli’, became an instant hit and is considered as one the most successful and celebrated tracks of the minimal techno era of the late 2000s. More punchy club hits and BBC1 favourites like the cheeky acid-house banger ‘Lampuca For Me’ or the spacey open air techno anthem ‘Gravity?’ followed and Remute also became a busy remixer for artists like GusGus, Solomun, Dominik Eulberg or Daniel Avery. Driven by the urge to push the boundaries of TECHNOlogy, it was never enough for Remute to deliver dancefloors hits only. Since the beginning of his career Remute was the sole ruler of his artistic vision and no managers, no agents and no producers were ever allowed to interfere with his work: While others in the early 2010s were busy to jump on the EDM-bandwaggon and took the first opportunity to sell out, Remute devoted himself to commercially risky and artistically uncompromising projects like ‘24’, which is a 24 hour long ambient recording (named by Mixmag as a ‘24 hour anthem’) and ‘REMUTE24’, a series of digital music releases remixing news headlines running for over 6 years, week by week, non-stop. Additionally he released highly successful J-Pop with his song ‘Play The Game’, recorded a Cyberpunk-esque soundtrack for the classic silent film ‘Metropolis’ with his 2014 album ‘Yoshiwara’ (got him ‘Album Of The Month’ honours in Mixmag) and was very active as a soundtrack-producer for several videogames. After over 15 years in music business and countless gigs from Miami to Moscow to Tokio, 2018 is a pivotal year for Remute: His album ‘Limited’, a hybrid release consisting of 7” vinyl and a 3,5” floppy disk, is regarded as a trailblazer of a strong floppy disk comeback… as a valid music format! With some clever usage of technology and creative dealing with the data limitations of this format, Remute once more succeeds in establishing his very own technologic sound aesthetics and setting new distinctive trends for unique performances while constantly questioning the status quo. Besides getting enthusiastically labelled as ‘limited techno’ by CBC, the Los Angeles Times also points out that he is Techno’s only true Disk Jockey - literally.
MP3
Remute will mix some hot tunes for you on Nov 19th 23:59 berlin time.
Hamburg-based Techno artist Remute has a very ‘technological’ approach to this genre - intense interaction with technology made him do the most amazing things: Remute’s career began in the early 2000s with his first EP ‘Hypnoconsole’ which unmistakably drew inspiration from the flickering world of early 80s and 90s computergames and acid-filled rave-sequences mixed up in a timeless punky DIY-way - even in 2017 ‘Hypnoconsole’ is still considered as a ‘punk techno’ reference by Bandcamp. The success of his first release made Remute tour for years and perform at acclaimed festivals and clubs like for example Golden Pudel and Berghain. Various contemporary high-profile labels got aware of Remute - in 2006 he released his self-titled debut album via the legendary label ‘Ladomat’ from Hamburg. After several further releases on labels like Tresor, Traum, Smallville or Bedrock Remute founded his very own Remute-label in 2008. The first release of the label, ‘Zuendli’, became an instant hit and is considered as one the most successful and celebrated tracks of the minimal techno era of the late 2000s. More punchy club hits and BBC1 favourites like the cheeky acid-house banger ‘Lampuca For Me’ or the spacey open air techno anthem ‘Gravity?’ followed and Remute also became a busy remixer for artists like GusGus, Solomun, Dominik Eulberg or Daniel Avery. Driven by the urge to push the boundaries of TECHNOlogy, it was never enough for Remute to deliver dancefloors hits only. Since the beginning of his career Remute was the sole ruler of his artistic vision and no managers, no agents and no producers were ever allowed to interfere with his work: While others in the early 2010s were busy to jump on the EDM-bandwaggon and took the first opportunity to sell out, Remute devoted himself to commercially risky and artistically uncompromising projects like ‘24’, which is a 24 hour long ambient recording (named by Mixmag as a ‘24 hour anthem’) and ‘REMUTE24’, a series of digital music releases remixing news headlines running for over 6 years, week by week, non-stop. Additionally he released highly successful J-Pop with his song ‘Play The Game’, recorded a Cyberpunk-esque soundtrack for the classic silent film ‘Metropolis’ with his 2014 album ‘Yoshiwara’ (got him ‘Album Of The Month’ honours in Mixmag) and was very active as a soundtrack-producer for several videogames. After over 15 years in music business and countless gigs from Miami to Moscow to Tokio, 2018 is a pivotal year for Remute: His album ‘Limited’, a hybrid release consisting of 7” vinyl and a 3,5” floppy disk, is regarded as a trailblazer of a strong floppy disk comeback… as a valid music format! With some clever usage of technology and creative dealing with the data limitations of this format, Remute once more succeeds in establishing his very own technologic sound aesthetics and setting new distinctive trends for unique performances while constantly questioning the status quo. Besides getting enthusiastically labelled as ‘limited techno’ by CBC, the Los Angeles Times also points out that he is Techno’s only true Disk Jockey - literally.
DRM-Free, Steam, Windows
Elansar is an adventure game, along the lines of “Myst” and “Point & Click” games. The premise of the game is to explore an island and solve puzzles. You can move from one location to another, and turn around yourself. You can collect items in your inventory, and use one object on another to solve puzzles. Will you uncover the Island’s mystery? Game available in English, French, German and Spanish language. This game was created only by myself for 2 years during my free time.
DRM-Free, Steam, Windows
Operation KREEP is a two-dimensional top-down couch co-op (hot-seat) multiplayer action game. An extraterrestrial organism threatens deep space exploration missions! Only trained personnel working as a team can eliminate these infestations. But, the corporation financing the space endeavor has a private mail for you: Cold hard cash for the alien alive!
Steam, Windows, OSX
High Strangeness is a hybrid of 8 and 16 bit games - a 12 bit adventure. The inspiration of the game comes from many Action-Adventure and RPG games such as Legend of Zelda, Chrono Trigger, and Secret of Mana. The game’s core ability is to switch between 8 and 16 bit worlds and the player uses their generational differences to solve puzzles and explore the universe. Throughout the game your pixel art perspective of the world will be infused with visions of watercolor illustrations that shed some light on your mysterious surroundings. The chiptune soundtrack by Dino Lionetti and Rich Vreeland backs up the aesthetic of the world and sets the mood for strange happenings.
System Requirements:
OS: Windows Vista SP2
Processor: Intel Core 2 Duo CPU E4500 2.20GHz / AMD Athlon 64 X2 Dual Core Processor 4600+, 2.4GHz
Memory: 2 GB RAM
Graphics: ATI Radeon HD 4650 1GB
Hard Drive: 1 GB available space
OS: 10.6.8 SnowLeopard
Processor: Intel Core 2 Duo 1.86GHz
Graphics: Nvidia Geforce 9400M 256MB
Hard Drive: 1 GB available space
DRM-Free, Steam, Windows, OSX
SodaCity is a fictional metropolis where inhabitants are soda cans, dominated by the organized crime, violence and warfare. You play as Mr. Redd, who’s on a personal vendetta against SodaCity’s organized crime. Mr. Redd is a retired bounty hunter who seeks to avenge his brother’s death, carrying a one-can assault on every single criminal territory until he destroys every one of the city’s bosses.
SodaCity is heavily based on classic beat ‘em ups from the SNES era but the main gameplay mechanic is shooting, so we ended with a shoot ‘em up with the weird, tilted, 2.5D perspective of classic beat ‘em ups.
Steam, Windows
Tcheco in the Castle of Lucio is an exciting, fast-paced action game. Help Tcheco the Adventure Boy to leave a mysterious castle full of deadly creatures! Be ready for a big challenge, full of nonsense humor and retro goodness.
FEATURES:
2D platform game, perfect for classic Famicom/NES game fans! Graphics and sounds inspired by 8-bit aesthetics. Compatible with Xbox 360 gamepad and keyboard. 65 rooms of progressive difficulty. Easy to learn, simple gameplay.
System Requirements:
OS: Windows XP/Vista/7/8
Processor: 2.0 GHz
Memory: 1 GB RAM
Graphics: 256 Mb video card
DirectX: Version 9.0
Hard Drive: 160 MB available space
Sound Card: Any
Steam, Windows
In the City Of Darkness, where the spirit of the times is an insatiable lust for flesh and blood, a hero stands alone. You are Darksheer, and your nemeses will stop at nothing: the vampiric Succubus, Tophat the Magician, the masochistic Master Macabre and their demonic allies have joined forces to indulge in fantasies of carnage worthy only of the end of time. Night Dive Studios presents Noctropolis, a beautifully rendered, adult graphic adventure about the grisly things you dream.
System Requirements:
OS: Windows Vista / 7 / 10
Processor: 1.0 GHz Processor
Memory: 512 MB RAM
Graphics: 100% DirectX compatible graphics
Hard Drive: 800 MB available space
Sound Card: 100% DirectX compatible card or onboard sound
DRM-Free, Windows
Lost in Japan is a educational learning adventure game with a slight dating sim game. While exploring you land on a island to check out a new town where you run into a girl/boy (Depending on who you decide to play). You are unable to communicate with them since you don’t know the language, but you would love to chat with them again. It turns out they are speaking Japanese and one of the helpful local town folk suggests that you drop by the school so you can learn the language. You can also visit the other town folk to help quiz you or even drop by the museum to learn more about Japanese history and culture. All of this leading up to finally dropping by the girl/boy’s house try that conversation, and hopefully ask them out on a date.
System Requirements:
OS: Windows 7
Processor: 1.6 Ghz
Memory: 2 GB RAM
Graphics: 256MB
Hard Drive: 300 MB available space
As promotion goals are achieved, bonuses are unlocked for everyone.
MP3
Remute will mix some hot tunes for you on Nov 19th 23:59 berlin time.
Hamburg-based Techno artist Remute has a very ‘technological’ approach to this genre - intense interaction with technology made him do the most amazing things: Remute’s career began in the early 2000s with his first EP ‘Hypnoconsole’ which unmistakably drew inspiration from the flickering world of early 80s and 90s computergames and acid-filled rave-sequences mixed up in a timeless punky DIY-way - even in 2017 ‘Hypnoconsole’ is still considered as a ‘punk techno’ reference by Bandcamp. The success of his first release made Remute tour for years and perform at acclaimed festivals and clubs like for example Golden Pudel and Berghain. Various contemporary high-profile labels got aware of Remute - in 2006 he released his self-titled debut album via the legendary label ‘Ladomat’ from Hamburg. After several further releases on labels like Tresor, Traum, Smallville or Bedrock Remute founded his very own Remute-label in 2008. The first release of the label, ‘Zuendli’, became an instant hit and is considered as one the most successful and celebrated tracks of the minimal techno era of the late 2000s. More punchy club hits and BBC1 favourites like the cheeky acid-house banger ‘Lampuca For Me’ or the spacey open air techno anthem ‘Gravity?’ followed and Remute also became a busy remixer for artists like GusGus, Solomun, Dominik Eulberg or Daniel Avery. Driven by the urge to push the boundaries of TECHNOlogy, it was never enough for Remute to deliver dancefloors hits only. Since the beginning of his career Remute was the sole ruler of his artistic vision and no managers, no agents and no producers were ever allowed to interfere with his work: While others in the early 2010s were busy to jump on the EDM-bandwaggon and took the first opportunity to sell out, Remute devoted himself to commercially risky and artistically uncompromising projects like ‘24’, which is a 24 hour long ambient recording (named by Mixmag as a ‘24 hour anthem’) and ‘REMUTE24’, a series of digital music releases remixing news headlines running for over 6 years, week by week, non-stop. Additionally he released highly successful J-Pop with his song ‘Play The Game’, recorded a Cyberpunk-esque soundtrack for the classic silent film ‘Metropolis’ with his 2014 album ‘Yoshiwara’ (got him ‘Album Of The Month’ honours in Mixmag) and was very active as a soundtrack-producer for several videogames. After over 15 years in music business and countless gigs from Miami to Moscow to Tokio, 2018 is a pivotal year for Remute: His album ‘Limited’, a hybrid release consisting of 7” vinyl and a 3,5” floppy disk, is regarded as a trailblazer of a strong floppy disk comeback… as a valid music format! With some clever usage of technology and creative dealing with the data limitations of this format, Remute once more succeeds in establishing his very own technologic sound aesthetics and setting new distinctive trends for unique performances while constantly questioning the status quo. Besides getting enthusiastically labelled as ‘limited techno’ by CBC, the Los Angeles Times also points out that he is Techno’s only true Disk Jockey - literally.
DRM-Free, Steam, Windows
Elansar is an adventure game, along the lines of “Myst” and “Point & Click” games. The premise of the game is to explore an island and solve puzzles. You can move from one location to another, and turn around yourself. You can collect items in your inventory, and use one object on another to solve puzzles. Will you uncover the Island’s mystery? Game available in English, French, German and Spanish language. This game was created only by myself for 2 years during my free time.
DRM-Free, Steam, Windows
Operation KREEP is a two-dimensional top-down couch co-op (hot-seat) multiplayer action game. An extraterrestrial organism threatens deep space exploration missions! Only trained personnel working as a team can eliminate these infestations. But, the corporation financing the space endeavor has a private mail for you: Cold hard cash for the alien alive!