$1.49 minimum 7 + 2 others
by DataDoor
Featuring all manner of sound synthesis, the DataDoor sampler combines digital and analogue peoples the World over and their audio trickery! Modular blips (r.domain, Luke Killen), experimental tracker jams (Pretty Hat Machine G.I.S) pure Commodore 64 SID chip (mostly) output (Goto80, iLKke, Eddie Svard, FatFrost, Jellica), omnichord ambience (Wolfpanther), FM soundscapes (Sense), streamlined moodtronica (Tim Jackiw, Tim Koch, Lolo, Jet Jaguar, Boulderdash, Adrien75), and electronic adventures from Pimmon and Protman. PETSCII Cover art by the wonderful iLKke
by Boulderdash
Boulderdash’s long lost sophomore album - originally planned to be released on Ten and Tracer’s Acre Records, now seeing the light of day via DataDoor Records. All music Hans Moller and Daniel Skaborn.
by Goto80
Released in Australia 2015.
Goto80 sends special thanks to Kissdub, Autoboy and Scannerboy, Tim Koch, Future Eater, Altemark and Square Sounds. credits:
All music - Goto80 - www.goto80.com All design - iLKke - ilkke.blogspot.com.au
Goto80 is a lo-fi artist and researcher who has been called “the most prolific chip music artist”. Since his first steps in the demoscene 1992 he has developed his own mix of pop, beats and craft.
He has been touted as one of the key players between glitch and chipmusic, as well as an active demoscener . At the turn of the millennium he was one of the first to bring chipmusic to a wider audience
by DataDoor
DUBCRT is a music album, interactive light synthesizer and remix gadget released as a Commodore 64 cartridge. With music and visuals from some of the most prolific experimentalists of the 8-bit scenes, DUBCRT taps into 1960s modernist forms, 1970s dub, 2000s glitch aesthetics, and 2020s sustainable computing. DUBCRT features:
• Eight songs ranging from ambient to IDM and drum n’ bass • Visualisers that react to the music, and that are user-controllable • A secret remix module that allows you to re-interpret all the music on the cartridge
All of this uses only 64 kilobytes – equivalent to 1.5 seconds of MP3-audio. This is possible thanks to clever use of resources, and by making all the graphics in PETSCII, the colourful and quirky ASCII-variant of the Commodore 64.
This audio version of the Commodore64 cartridge features all of the tracks that have been recorded from the actual MOS 6581 and MOS 8580 SID chips from authentic hardware - with a stereo mix combining both of the SID models into one waveform.
Also included in the audio version are eleven remixes from artists such as Datasette, Julien Mier and Mesak.
by GIS
Made with Renoise and passion.
by Jeff Symons / Cameron Bonde
Jeff Symons’ “Drift” is a melodic workout with Detroit styles tones and forever looping blissful synth leads, whilst Cameron Bonde’s “Red” is a more introspective and broodingly elegant exercise in electronica. All art / design Luke Sutton
Jeff Symons and Cameron Bonde are releasing an amazing 7” split-vinyl on DataDoor.
This livejam was done on an SX64 totally with a reverb pedal!
Goto80 is a lo-fi artist and researcher who has been called “the most prolific chip music artist”. Since his first steps in the demoscene 1992 he has developed his own mix of pop, beats and craft.
He has been touted as one of the key players between glitch and chipmusic, as well as an active demoscener . At the turn of the millennium he was one of the first to bring chipmusic to a wider audience
Hurry up!
This package features one brandnew vinyl-release and two cassette-releases from DataDoor. Worldwide shipping is included (items will be shipped on or around March 18th 2017).
As promotion goals are achieved, bonuses are unlocked for everyone.
Remute will record a mix with his favourite DataDoor tunes.
Hamburg-based Techno artist Remute has a very ‘technological’ approach to this genre - intense interaction with technology made him do the most amazing things: Remute’s career began in the early 2000s with his first EP ‘Hypnoconsole’ which unmistakably drew inspiration from the flickering world of early 80s and 90s computergames and acid-filled rave-sequences mixed up in a timeless punky DIY-way - even in 2017 ‘Hypnoconsole’ is still considered as a ‘punk techno’ reference by Bandcamp. The success of his first release made Remute tour for years and perform at acclaimed festivals and clubs like for example Golden Pudel and Berghain. Various contemporary high-profile labels got aware of Remute - in 2006 he released his self-titled debut album via the legendary label ‘Ladomat’ from Hamburg. After several further releases on labels like Tresor, Traum, Smallville or Bedrock Remute founded his very own Remute-label in 2008. The first release of the label, ‘Zuendli’, became an instant hit and is considered as one the most successful and celebrated tracks of the minimal techno era of the late 2000s. More punchy club hits and BBC1 favourites like the cheeky acid-house banger ‘Lampuca For Me’ or the spacey open air techno anthem ‘Gravity?’ followed and Remute also became a busy remixer for artists like GusGus, Solomun, Dominik Eulberg or Daniel Avery. Driven by the urge to push the boundaries of TECHNOlogy, it was never enough for Remute to deliver dancefloors hits only. Since the beginning of his career Remute was the sole ruler of his artistic vision and no managers, no agents and no producers were ever allowed to interfere with his work: While others in the early 2010s were busy to jump on the EDM-bandwaggon and took the first opportunity to sell out, Remute devoted himself to commercially risky and artistically uncompromising projects like ‘24’, which is a 24 hour long ambient recording (named by Mixmag as a ‘24 hour anthem’) and ‘REMUTE24’, a series of digital music releases remixing news headlines running for over 6 years, week by week, non-stop. Additionally he released highly successful J-Pop with his song ‘Play The Game’, recorded a Cyberpunk-esque soundtrack for the classic silent film ‘Metropolis’ with his 2014 album ‘Yoshiwara’ (got him ‘Album Of The Month’ honours in Mixmag) and was very active as a soundtrack-producer for several videogames. After over 15 years in music business and countless gigs from Miami to Moscow to Tokio, 2018 is a pivotal year for Remute: His album ‘Limited’, a hybrid release consisting of 7” vinyl and a 3,5” floppy disk, is regarded as a trailblazer of a strong floppy disk comeback… as a valid music format! With some clever usage of technology and creative dealing with the data limitations of this format, Remute once more succeeds in establishing his very own technologic sound aesthetics and setting new distinctive trends for unique performances while constantly questioning the status quo. Besides getting enthusiastically labelled as ‘limited techno’ by CBC, the Los Angeles Times also points out that he is Techno’s only true Disk Jockey - literally.
Remute presents one of his favourite Labels: DataDoor Get their entire catalogue for 1.49 $ and grab 2 x cassettes and 1 x Vinyl for 24.99$ - worldwide shipping is included! But hurry up: it’s pretty limited!