Dan Dysphonix (a.k.a. Dysphonix, dsx) is an electronic music producer, performer, remixer, and DJ that resides in the St. Louis area. The Dysphonix moniker was invented in 1994 after performing as a keyboardist and writing music in various industrial and electronic-based bands between 1989-1993. The late iconic St. Louis DJ Jajo, gave Dysphonix his first opportunity to perform his live techno in the legendary dance club, Fallout, in 1995. This performance helped launch his numerous live techno performances in the mid to late 90’s. Dysphonix has also released original and remix material under underground and boutique labels like Nepol Records (2000), Silver 7 Records (1998), and Stepwise (1997). Since 2003, Dysphonix has concentrated on experimental electronic dance music production and creation of other media including video and sound for film.

Mike Cold Fusion and Jamie D have been writing and creating music together for the past eight years. Utilizing their combined experience totaling more than twenty-five years, these DJs produce and play a variety of Drum& Bass.

DJ and producer of Drum & Bass, Jungle, and Bass Music. Representing St. Louis and the Midwestern USA. Started DJing at underground clubs and raves in 1992.

Borja hails from the depths of Washington’s forests, where he was inspired by the vastness of the Cascade Mountains and the Universe. He creates aural landscapes. He began his epic journey at an early age creating noise, ambient, downtempo, metal, and punk. Borja’s love for the Universe emanates through his music. Humbled by the experience of life Borja aims to evoke to the senses.

Electronic music composer and producer Jim Baltz, well known for his live performances in his hometown of Saint Louis, is the man behind the hypnotic sounds written under the pseudonym Gaia13. Gaia is a mythological name for Earth, and 13 symbolizes the goal of transforming through music life on our 12-month-cycle planet. “I don’t cling to a particular tempo when I write, and because I’m influenced by so many musical styles, from Aphex Twin to Jimi Hendrix, to various traditional music, I follow my instincts and let the music happen naturally”. Baltz’s style meanders along the boundaries of IDM, downtempo, and drum ‘n bass, often incorporating treated instruments and vocals. His first album “Life on Planet Earth” was called “the best electronic CD” by Minor Scale Magazine in Saint Louis and his second, “Inside the Star Furnace” remained at the top of the charts on KFJC in California for more than a month in 2003. Gaia13′s latest full-length release has enjoyed even more success, reaching number one on the weekly playlists at KFJC, appearing on the KDHX “artist spotlight” in Saint Louis, and receiveing great reviews by international press and radio in Germany, France, Brazil, and Italy. “The Sea Turtle Project” is an album grounded by complex but consistent percussion and solid bass, and layered with interwoven and transcendent melodies. It’s the result of 10 months worth of recording and producing in the studio. “I went in totally new directions with The Sea Turtle Project,” says Baltz, “meticulously adding rhythmic and melodic elements to songs which I had written and performed over the previous year.” At times laid back and peaceful, at times nail-bitingly intense, and always danceable, the 16 song Sea Turtle Project is Baltz’s favorite work so far.

Quadratic crafts dance floor oddities that skirt the boundaries of dubstep, techno and detroit electro. since their first EP release in 2008, the long-simmering collaboration of Chris Widman and Colin Harris of Abstract Science has impressed Chicago crowds with dynamic live performances opening for Rusko and DJ Distance at Smartbar; Kode9 at Sonotheque; Daedelus and King Cannibal at the Empty Bottle; and Hudson Mohawke at the Abbey Pub. Chris widman is best known as a dj and long-time host of the Chicago radio program Abstract Science on WLUW 88.7FM. over the years, he has shared the bill with a diverse cast of underground luminaries — including Amon Tobin, Cinematic Orchestra, Jaga Jazzist, M83, Meat Beat Manifesto, Monolake, Plaid, The Orb, Skream, Unkle and Ulrich Schnauss—played every type of event imaginable, from raves to operas, and is now a smartbar resident dj. colin harris is an agile developer who spent many hours of his youth tweaking lines of code, playing with music trackers (and guitars), and pumping hours of bass-drive out of his computer subwoofer. graduating from a casio sk5 to fruity loops to ableton live, harris has transformed his programming skills to adapt custom devices for live performance. The duo first met in 1998 at Widman’s club residency in Columbia, Missouri, where he first encouraged, and eventually, invaded Harris’ music projects: Widman’s experience as a DJ and drummer complementing Harris’s sense of melody and technical dexterity. the result is Quadratic.

Saint Louis artist Overthink is well-known for his chiptune exploits, and he brings heavy synth melodics to his debut drum & bass EP on Droidsong. He specializes in lo-fi electronic music, combining 8-bit old school chiptune sounds with modern production techniques. Resurrecting classic technology when necessary (like adding MIDI support to an Atari 2600), the result sounds like a new school reboot of some obscure retro video game.

This is a placeholder artist for compilations with more than one artist.

DJ and producer of Drum & Bass, Jungle, and Bass Music. Representing St. Louis and the Midwestern USA. Started DJing at underground clubs and raves in 1992.

This is a placeholder artist for compilations with more than one artist.

This is a placeholder artist for compilations with more than one artist.

Borja hails from the depths of Washington’s forests, where he was inspired by the vastness of the Cascade Mountains and the Universe. He creates aural landscapes. He began his epic journey at an early age creating noise, ambient, downtempo, metal, and punk. Borja’s love for the Universe emanates through his music. Humbled by the experience of life Borja aims to evoke to the senses.

DJ and producer of Drum & Bass, Jungle, and Bass Music. Representing St. Louis and the Midwestern USA. Started DJing at underground clubs and raves in 1992.

Chris Widman is a Chicago DJ who defies easy classification. As co-host of the weekly radio program Abstract Science (since 1997 and a DJ since 1995), he is at the forefront of breaking new styles, crossing genres and re-introducing forgotten music. When DJing for the dancefloor, Widman is known for his adventurous mixing of tempos and styles, creating his own form of crowd-pleasing sonic warfare. contact chris at abstractscience.net.

Saint Louis artist Overthink is well-known for his chiptune exploits, and he brings heavy synth melodics to his debut drum & bass EP on Droidsong. He specializes in lo-fi electronic music, combining 8-bit old school chiptune sounds with modern production techniques. Resurrecting classic technology when necessary (like adding MIDI support to an Atari 2600), the result sounds like a new school reboot of some obscure retro video game.

Dan Dysphonix (a.k.a. Dysphonix, dsx) is an electronic music producer, performer, remixer, and DJ that resides in the St. Louis area. The Dysphonix moniker was invented in 1994 after performing as a keyboardist and writing music in various industrial and electronic-based bands between 1989-1993. The late iconic St. Louis DJ Jajo, gave Dysphonix his first opportunity to perform his live techno in the legendary dance club, Fallout, in 1995. This performance helped launch his numerous live techno performances in the mid to late 90’s. Dysphonix has also released original and remix material under underground and boutique labels like Nepol Records (2000), Silver 7 Records (1998), and Stepwise (1997). Since 2003, Dysphonix has concentrated on experimental electronic dance music production and creation of other media including video and sound for film.

Borja hails from the depths of Washington’s forests, where he was inspired by the vastness of the Cascade Mountains and the Universe. He creates aural landscapes. He began his epic journey at an early age creating noise, ambient, downtempo, metal, and punk. Borja’s love for the Universe emanates through his music. Humbled by the experience of life Borja aims to evoke to the senses.

DJ and producer of Drum & Bass, Jungle, and Bass Music. Representing St. Louis and the Midwestern USA. Started DJing at underground clubs and raves in 1992.

DJ and producer of Drum & Bass, Jungle, and Bass Music. Representing St. Louis and the Midwestern USA. Started DJing at underground clubs and raves in 1992.

This is a placeholder artist for compilations with more than one artist.

This is a placeholder artist for compilations with more than one artist.

MU-6 is a newcomer to the dnb scene, specializing in darker shades of drum & bass. His newest tunes push the boundaries of dnb crossing over into dubstep and drumstep while staying true to the dnb vibe.

MU-6 started producing music in the mid nineties, honing his skills for more than fifteen years before an official release. He brings a distinctive techno influence to all of his tunes, layering deep basslines under TB-303 loops and synths.

Mike Cold Fusion and Jamie D have been writing and creating music together for the past eight years. Utilizing their combined experience totaling more than twenty-five years, these DJs produce and play a variety of Drum& Bass.

Quadratic crafts dance floor oddities that skirt the boundaries of dubstep, techno and detroit electro. since their first EP release in 2008, the long-simmering collaboration of Chris Widman and Colin Harris of Abstract Science has impressed Chicago crowds with dynamic live performances opening for Rusko and DJ Distance at Smartbar; Kode9 at Sonotheque; Daedelus and King Cannibal at the Empty Bottle; and Hudson Mohawke at the Abbey Pub. Chris widman is best known as a dj and long-time host of the Chicago radio program Abstract Science on WLUW 88.7FM. over the years, he has shared the bill with a diverse cast of underground luminaries — including Amon Tobin, Cinematic Orchestra, Jaga Jazzist, M83, Meat Beat Manifesto, Monolake, Plaid, The Orb, Skream, Unkle and Ulrich Schnauss—played every type of event imaginable, from raves to operas, and is now a smartbar resident dj. colin harris is an agile developer who spent many hours of his youth tweaking lines of code, playing with music trackers (and guitars), and pumping hours of bass-drive out of his computer subwoofer. graduating from a casio sk5 to fruity loops to ableton live, harris has transformed his programming skills to adapt custom devices for live performance. The duo first met in 1998 at Widman’s club residency in Columbia, Missouri, where he first encouraged, and eventually, invaded Harris’ music projects: Widman’s experience as a DJ and drummer complementing Harris’s sense of melody and technical dexterity. the result is Quadratic.

Electronic music composer and producer Jim Baltz, well known for his live performances in his hometown of Saint Louis, is the man behind the hypnotic sounds written under the pseudonym Gaia13. Gaia is a mythological name for Earth, and 13 symbolizes the goal of transforming through music life on our 12-month-cycle planet. “I don’t cling to a particular tempo when I write, and because I’m influenced by so many musical styles, from Aphex Twin to Jimi Hendrix, to various traditional music, I follow my instincts and let the music happen naturally”. Baltz’s style meanders along the boundaries of IDM, downtempo, and drum ‘n bass, often incorporating treated instruments and vocals. His first album “Life on Planet Earth” was called “the best electronic CD” by Minor Scale Magazine in Saint Louis and his second, “Inside the Star Furnace” remained at the top of the charts on KFJC in California for more than a month in 2003. Gaia13′s latest full-length release has enjoyed even more success, reaching number one on the weekly playlists at KFJC, appearing on the KDHX “artist spotlight” in Saint Louis, and receiveing great reviews by international press and radio in Germany, France, Brazil, and Italy. “The Sea Turtle Project” is an album grounded by complex but consistent percussion and solid bass, and layered with interwoven and transcendent melodies. It’s the result of 10 months worth of recording and producing in the studio. “I went in totally new directions with The Sea Turtle Project,” says Baltz, “meticulously adding rhythmic and melodic elements to songs which I had written and performed over the previous year.” At times laid back and peaceful, at times nail-bitingly intense, and always danceable, the 16 song Sea Turtle Project is Baltz’s favorite work so far.