System Requirements:

System Requirements: Windows XP or Windows Vista, 1 GHz Processor (1.4 GHz recommended), 256MB RAM (512 recommended), 3D graphics card compatible with DirectX 7 (compatible with DirectX 9 recommended), Mouse, Keyboard.
(Mac): OS X 10.6.8 or later. Processor: Intel Core 2 Duo 2GHz+ Memory: 1GB of RAM Graphics: 256 MB of video memory, Recommended two-button mouse, or Apple mouse with Secondary Button / Secondary Click enabled.

System Requirements:

System Requirements: Windows XP or Windows Vista, 1 GHz Processor (1.4 GHz recommended), 256MB RAM (512 recommended), 3D graphics card compatible with DirectX 7 (compatible with DirectX 9 recommended), Mouse, Keyboard.
(Mac): OS X 10.6.8 or later. Processor: Intel Core 2 Duo 2GHz+ Memory: 1GB of RAM Graphics: 256 MB of video memory, Recommended two-button mouse, or Apple mouse with Secondary Button / Secondary Click enabled.

SelloRekt /LA Dreams an American musician/producer/programmer, Started piano at age 8, picked up guitar at 17, and has been influenced by 80s OST, Dreamwave, Synthpop, Outrun, and Noir music since his early years of growing up in the 80’s, artist such as Jan Hammer, Tangerine Dream, The Keytar, Harold Faltermeyer, Howard Jones, Duran Duran, Depeche Mode, Herbie Hancock, Tony Banks etc . SelloRekt/LA Dreams creates electronic music with acoustic instrumentation, along with computer programming, drum machines, and turntables. SelloRekt/LA Dreams also started playing, learning analog synths at a very young age. First analog synth was the Roland SH 101,Korg DW1000, Korg RK100 and has ever since remained passionate about synthesizers, and electronic composition.

System Requirements:

Windows XP or higher.
350 MB free hard drive space
2GB Ram

Mac OSX
350 MB free hard drive space
2GB Ram

Linux x86
350 MB free hard drive space
2GB Ram

System Requirements:

Minimum:
Windows:
OS: WindowsXP SP2 or higher
Processor: 1.80GHz Processor
Memory: 2GB Memory
Graphics: Video card with 512MB of VRAM
Hard Drive: 2GB HDD space

Mac:
OS: OS X v10.7 Lion or higher
Processor: 1.80GHz Processor
Memory: 2GB Memory
Graphics: Video card with 512MB of VRAM
Hard Drive: 2GB HDD space

Linux:
OS: glibc 2.11 or newer
Processor: 1.80GHz Processor
Memory: 2GB Memory
Graphics: Video card with 512MB of VRAM
Hard Drive: 2GB HDD space

Oculus Rift compatibility currently only available for PC and Mac.

Supported Languages:
English

The Amiga is a family of 16-bit and 32-bit multimedia home computers made by Commodore between 1985 and 1994. Most popular were the low-end, wedge shaped models with a built in keyboard such as the Amiga 500 and Amiga 1200. Two special Amiga models were made: the CDTV, a CD based multimedia system in a hi-fi style case, and the CD32, a CD based video game console.

Paula, Agnus and Denise are the set of chips that give the Amiga her unique features. Paula is the audio chip, Denise the video chip and Agnus acts as the heart of the system controlling access to the internal memory. All chips were designed and manufactured by Commodore especially for the Amiga.

System Requirements:

directx 9 compatible computer, keyboard or xbox 360 joypad.

System Requirements:

Windows or OSX
512 MB RAM
1 GHz Processor
HTML5 compatible browser
The latest version of your graphics card drivers

Hamburg-based Techno artist Remute has a very ‘technological’ approach to this genre - intense interaction with technology made him do the most amazing things: Remute’s career began in the early 2000s with his first EP ‘Hypnoconsole’ which unmistakably drew inspiration from the flickering world of early 80s and 90s computergames and acid-filled rave-sequences mixed up in a timeless punky DIY-way - even in 2017 ‘Hypnoconsole’ is still considered as a ‘punk techno’ reference by Bandcamp. The success of his first release made Remute tour for years and perform at acclaimed festivals and clubs like for example Golden Pudel and Berghain. Various contemporary high-profile labels got aware of Remute - in 2006 he released his self-titled debut album via the legendary label ‘Ladomat’ from Hamburg. After several further releases on labels like Tresor, Traum, Smallville or Bedrock Remute founded his very own Remute-label in 2008. The first release of the label, ‘Zuendli’, became an instant hit and is considered as one the most successful and celebrated tracks of the minimal techno era of the late 2000s. More punchy club hits and BBC1 favourites like the cheeky acid-house banger ‘Lampuca For Me’ or the spacey open air techno anthem ‘Gravity?’ followed and Remute also became a busy remixer for artists like GusGus, Solomun, Dominik Eulberg or Daniel Avery. Driven by the urge to push the boundaries of TECHNOlogy, it was never enough for Remute to deliver dancefloors hits only. Since the beginning of his career Remute was the sole ruler of his artistic vision and no managers, no agents and no producers were ever allowed to interfere with his work: While others in the early 2010s were busy to jump on the EDM-bandwaggon and took the first opportunity to sell out, Remute devoted himself to commercially risky and artistically uncompromising projects like ‘24’, which is a 24 hour long ambient recording (named by Mixmag as a ‘24 hour anthem’) and ‘REMUTE24’, a series of digital music releases remixing news headlines running for over 6 years, week by week, non-stop. Additionally he released highly successful J-Pop with his song ‘Play The Game’, recorded a Cyberpunk-esque soundtrack for the classic silent film ‘Metropolis’ with his 2014 album ‘Yoshiwara’ (got him ‘Album Of The Month’ honours in Mixmag) and was very active as a soundtrack-producer for several videogames. After over 15 years in music business and countless gigs from Miami to Moscow to Tokio, 2018 is a pivotal year for Remute: His album ‘Limited’, a hybrid release consisting of 7” vinyl and a 3,5” floppy disk, is regarded as a trailblazer of a strong floppy disk comeback… as a valid music format! With some clever usage of technology and creative dealing with the data limitations of this format, Remute once more succeeds in establishing his very own technologic sound aesthetics and setting new distinctive trends for unique performances while constantly questioning the status quo. Besides getting enthusiastically labelled as ‘limited techno’ by CBC, the Los Angeles Times also points out that he is Techno’s only true Disk Jockey - literally.

Vibraphonist and electronic music composer Michael Pinto is equally at home attending a Star Trek convention, as he is performing to an audience of jazz enthusiasts. He warmly embraces his geekie side and brings it to play both figuratively and literally. If you are a fan and have watched him perform with his band, appropriately called, “Little Green Men”; then you have been privy to a surprising and quite entertaining jazzed rendition of the Imperial March from Star Wars. It’s what makes him unique and sets him apart from his contemporaries. But don’t make the mistake of taking his musical skills lightly. Michael is a seriously gifted and accomplished composer/musician whose finely structured musical passages, at times channel the smooth and effortless style of legends like Milt Jackson, whom he admired since childhood.

Michael’s music is erudite and exudes wiseness far beyond his years. It’s this finesse that first caught the attention of master saxophonist Greg Osby, who added him to the growing roster of raw young talent, he’s harnessed on his Inner Circle Music label.

Michael’s musical abilities manifested themselves early and led him to perfect his skills as a composer, arranger and band leader at Berklee College of Music in Boston. He lists among his teachers, the great Dave Samuels of Spyro Gyra fame, Jason Moran and Stefan Harris. But Michael’s style, his depth and artistry are not things you learn in school, rather, you enhance with formal training. His compositions are greatly influenced by his passion for the world of sci-fi and video games.

System Requirements:

· Windows XP or later; Mac OS X 10.6 or later.
· Pretty much any 3D graphics card, depending on complexity.

Hamburg-based Techno artist Remute has a very ‘technological’ approach to this genre - intense interaction with technology made him do the most amazing things: Remute’s career began in the early 2000s with his first EP ‘Hypnoconsole’ which unmistakably drew inspiration from the flickering world of early 80s and 90s computergames and acid-filled rave-sequences mixed up in a timeless punky DIY-way - even in 2017 ‘Hypnoconsole’ is still considered as a ‘punk techno’ reference by Bandcamp. The success of his first release made Remute tour for years and perform at acclaimed festivals and clubs like for example Golden Pudel and Berghain. Various contemporary high-profile labels got aware of Remute - in 2006 he released his self-titled debut album via the legendary label ‘Ladomat’ from Hamburg. After several further releases on labels like Tresor, Traum, Smallville or Bedrock Remute founded his very own Remute-label in 2008. The first release of the label, ‘Zuendli’, became an instant hit and is considered as one the most successful and celebrated tracks of the minimal techno era of the late 2000s. More punchy club hits and BBC1 favourites like the cheeky acid-house banger ‘Lampuca For Me’ or the spacey open air techno anthem ‘Gravity?’ followed and Remute also became a busy remixer for artists like GusGus, Solomun, Dominik Eulberg or Daniel Avery. Driven by the urge to push the boundaries of TECHNOlogy, it was never enough for Remute to deliver dancefloors hits only. Since the beginning of his career Remute was the sole ruler of his artistic vision and no managers, no agents and no producers were ever allowed to interfere with his work: While others in the early 2010s were busy to jump on the EDM-bandwaggon and took the first opportunity to sell out, Remute devoted himself to commercially risky and artistically uncompromising projects like ‘24’, which is a 24 hour long ambient recording (named by Mixmag as a ‘24 hour anthem’) and ‘REMUTE24’, a series of digital music releases remixing news headlines running for over 6 years, week by week, non-stop. Additionally he released highly successful J-Pop with his song ‘Play The Game’, recorded a Cyberpunk-esque soundtrack for the classic silent film ‘Metropolis’ with his 2014 album ‘Yoshiwara’ (got him ‘Album Of The Month’ honours in Mixmag) and was very active as a soundtrack-producer for several videogames. After over 15 years in music business and countless gigs from Miami to Moscow to Tokio, 2018 is a pivotal year for Remute: His album ‘Limited’, a hybrid release consisting of 7” vinyl and a 3,5” floppy disk, is regarded as a trailblazer of a strong floppy disk comeback… as a valid music format! With some clever usage of technology and creative dealing with the data limitations of this format, Remute once more succeeds in establishing his very own technologic sound aesthetics and setting new distinctive trends for unique performances while constantly questioning the status quo. Besides getting enthusiastically labelled as ‘limited techno’ by CBC, the Los Angeles Times also points out that he is Techno’s only true Disk Jockey - literally.

A cosmic spinning orb of iron in deep space emitting a radio signal.