$1.49 minimum 9 + 1 + 1 other
Steam, Windows
Discover a futuristic fast-paced platformer game in pixel art. The game takes place in three different environments (prison, desert, forest) and is interspersed with 2 mini-games, including a reversed “Shoot’em Up” and an original rappelling game! Avoid the security cameras, collect grenades to get rid of your enemies, exercise your working memory by hacking the computers of the prison to unlock the doors or to disactivate the safety systems.
In the year 2042, a socialist government is in power, but nobody had foreseen progressive dictatorship that settled in. The elites of the government hid behind a sham democracy, disconnected from the life the people were leading, and acted solely in their own interests. The regime considered the dissidents as conspiracy theorists, treated them like terrorists and locked them away in highly-secured prisons, to prevent them from telling the people the truth about the manipulating medias accomplice of the government power.
You are Shun, a computer engineer and member of the Truth Defenders coalition. After a clandestine operation to inform the people, you are locked away in the highly-secured prison Bulor 24. But your knowledge on security systems will enable you to escape.
Your turn now to escape as fast as you can from this place!
System Requirements:
Betriebssystem: Windows 7
Prozessor: 2Ghz 32bits
Arbeitsspeicher: 512 MB RAM
Grafik: Any graphic card compatible with OpenGL 1.2
Speicherplatz: 8 MB verfügbarer Speicherplatz
Soundkarte: Any sound card compatible with OpenAL
Itch.io, Windows, OSX, DRM-Free
STRUCTUS is a short Sci-Fi puzzle / Exploration 3D game.
Discover mysteries, explore strange architectural structures, contemplate weird angles. Nothing is what it seems…
Influences: Donald Judd, William Gibson, K. Dick, Moebius
Itch.io, OSX, Windows, DRM-Free
ZORKRON is a short Sci-Fi puzzle / platform 3D game in three acts.
This 1998 Edition has low-fi graphics like pixelated textures and jagged edges.
Itch.io, DRM-Free, Windows, OSX, Linux
Joey is an astronaut in the distant future whose mission changed profoundly after crashing his ship on an unknown planet.
Help him repair his ship and return to earth!
Itch.io, DRM-Free, Windows, OSX, Linux
+1 Level every 10 seconds.
[Objective] Reach level 50.
[GameOver] When you reach level 0.
Use the [Dungeon] to level up (or lose level). Use the [Shop] to buy [Upgrades] and beat the game.
MP3
.A digital mixtape by Remute (to be uploaded by the end of this sale)
Hamburg-based Techno artist Remute has a very ‘technological’ approach to this genre - intense interaction with technology made him do the most amazing things: Remute’s career began in the early 2000s with his first EP ‘Hypnoconsole’ which unmistakably drew inspiration from the flickering world of early 80s and 90s computergames and acid-filled rave-sequences mixed up in a timeless punky DIY-way - even in 2017 ‘Hypnoconsole’ is still considered as a ‘punk techno’ reference by Bandcamp. The success of his first release made Remute tour for years and perform at acclaimed festivals and clubs like for example Golden Pudel and Berghain. Various contemporary high-profile labels got aware of Remute - in 2006 he released his self-titled debut album via the legendary label ‘Ladomat’ from Hamburg. After several further releases on labels like Tresor, Traum, Smallville or Bedrock Remute founded his very own Remute-label in 2008. The first release of the label, ‘Zuendli’, became an instant hit and is considered as one the most successful and celebrated tracks of the minimal techno era of the late 2000s. More punchy club hits and BBC1 favourites like the cheeky acid-house banger ‘Lampuca For Me’ or the spacey open air techno anthem ‘Gravity?’ followed and Remute also became a busy remixer for artists like GusGus, Solomun, Dominik Eulberg or Daniel Avery. Driven by the urge to push the boundaries of TECHNOlogy, it was never enough for Remute to deliver dancefloors hits only. Since the beginning of his career Remute was the sole ruler of his artistic vision and no managers, no agents and no producers were ever allowed to interfere with his work: While others in the early 2010s were busy to jump on the EDM-bandwaggon and took the first opportunity to sell out, Remute devoted himself to commercially risky and artistically uncompromising projects like ‘24’, which is a 24 hour long ambient recording (named by Mixmag as a ‘24 hour anthem’) and ‘REMUTE24’, a series of digital music releases remixing news headlines running for over 6 years, week by week, non-stop. Additionally he released highly successful J-Pop with his song ‘Play The Game’, recorded a Cyberpunk-esque soundtrack for the classic silent film ‘Metropolis’ with his 2014 album ‘Yoshiwara’ (got him ‘Album Of The Month’ honours in Mixmag) and was very active as a soundtrack-producer for several videogames. After over 15 years in music business and countless gigs from Miami to Moscow to Tokio, 2018 is a pivotal year for Remute: His album ‘Limited’, a hybrid release consisting of 7” vinyl and a 3,5” floppy disk, is regarded as a trailblazer of a strong floppy disk comeback… as a valid music format! With some clever usage of technology and creative dealing with the data limitations of this format, Remute once more succeeds in establishing his very own technologic sound aesthetics and setting new distinctive trends for unique performances while constantly questioning the status quo. Besides getting enthusiastically labelled as ‘limited techno’ by CBC, the Los Angeles Times also points out that he is Techno’s only true Disk Jockey - literally.
by Remute
Techno headlines.
Hamburg-based Techno artist Remute has a very ‘technological’ approach to this genre - intense interaction with technology made him do the most amazing things: Remute’s career began in the early 2000s with his first EP ‘Hypnoconsole’ which unmistakably drew inspiration from the flickering world of early 80s and 90s computergames and acid-filled rave-sequences mixed up in a timeless punky DIY-way - even in 2017 ‘Hypnoconsole’ is still considered as a ‘punk techno’ reference by Bandcamp. The success of his first release made Remute tour for years and perform at acclaimed festivals and clubs like for example Golden Pudel and Berghain. Various contemporary high-profile labels got aware of Remute - in 2006 he released his self-titled debut album via the legendary label ‘Ladomat’ from Hamburg. After several further releases on labels like Tresor, Traum, Smallville or Bedrock Remute founded his very own Remute-label in 2008. The first release of the label, ‘Zuendli’, became an instant hit and is considered as one the most successful and celebrated tracks of the minimal techno era of the late 2000s. More punchy club hits and BBC1 favourites like the cheeky acid-house banger ‘Lampuca For Me’ or the spacey open air techno anthem ‘Gravity?’ followed and Remute also became a busy remixer for artists like GusGus, Solomun, Dominik Eulberg or Daniel Avery. Driven by the urge to push the boundaries of TECHNOlogy, it was never enough for Remute to deliver dancefloors hits only. Since the beginning of his career Remute was the sole ruler of his artistic vision and no managers, no agents and no producers were ever allowed to interfere with his work: While others in the early 2010s were busy to jump on the EDM-bandwaggon and took the first opportunity to sell out, Remute devoted himself to commercially risky and artistically uncompromising projects like ‘24’, which is a 24 hour long ambient recording (named by Mixmag as a ‘24 hour anthem’) and ‘REMUTE24’, a series of digital music releases remixing news headlines running for over 6 years, week by week, non-stop. Additionally he released highly successful J-Pop with his song ‘Play The Game’, recorded a Cyberpunk-esque soundtrack for the classic silent film ‘Metropolis’ with his 2014 album ‘Yoshiwara’ (got him ‘Album Of The Month’ honours in Mixmag) and was very active as a soundtrack-producer for several videogames. After over 15 years in music business and countless gigs from Miami to Moscow to Tokio, 2018 is a pivotal year for Remute: His album ‘Limited’, a hybrid release consisting of 7” vinyl and a 3,5” floppy disk, is regarded as a trailblazer of a strong floppy disk comeback… as a valid music format! With some clever usage of technology and creative dealing with the data limitations of this format, Remute once more succeeds in establishing his very own technologic sound aesthetics and setting new distinctive trends for unique performances while constantly questioning the status quo. Besides getting enthusiastically labelled as ‘limited techno’ by CBC, the Los Angeles Times also points out that he is Techno’s only true Disk Jockey - literally.
Steam, Windows, OSX
Lights blur. The crowd whizzes past. Your helmet rattles against the roll bar and the competition switches into overdrive. Tears stream from your eyes and the race moves into extreme speed. Tears of sweat. The same stuff that’s seeping off your palms and onto the steering wheel. Get a grip. You’re sliding into a turn at 200 miles per hour and centrifugal force will only carry you so far. This is velocity-driven, pedal-to-the-metal arcade racing. Strapped into a personally chosen made-for-the-Autobahn racing machine, you’ll scream to redefine fast in this winding 3D ride of pure fun.
Great, addictive, arcade-style gameplay Driving mechanics so unrealistic they’ll make you wish you could powerslide like that in real life! If you didn’t have a Pentium processor back in 1995, now is your chance to finally play this game!
System Requirements:
Betriebssystem: Windows (XP, Vista, 7, 8, 10)
Prozessor: 1 GHz Processor
Arbeitsspeicher: 256 MB RAM
Grafik: 3D graphics card compatible with DirectX 7
DirectX: Version 7.0
Speicherplatz: 445 MB verfügbarer Speicherplatz
Zusätzliche Anmerkungen: Mouse, Keyboard
Betriebssystem: OS X 10.6.8 or later
Prozessor: Intel Core Duo 2GHz+
Arbeitsspeicher: 1 GB RAM
Grafik: 64MB of video memory
Speicherplatz: 450 MB verfügbarer Speicherplatz
Zusätzliche Anmerkungen: Recommended two-button mouse, or Apple mouse with Secondary Button / Secondary Click enabled.
Steam, Windows
You are about to enter a fantasy quite unlike anything you’ve ever seen or felt before - a fantasy built from the stuff of your very own mind. Tender Loving Care is not just a finely crafted suspense story; it’s an exploration into your innermost perceptions, opinions, and attitudes. The unfolding story is shaped and changed by your responses to it, so that no two people will experience Tender Loving Care in exactly the same way.
Starring the acclaimed British actor, and 2-time Oscar nominee, John Hurt (Contact, Love and Death on Long Island, Elephant Man) TLC is a feature-length film seamlessly combined with computer-game like navigation and interactivity.
The player is voyeur, detective, judge, and patient all in one. Between each variable scene, Dr. Turner enlists the viewer’s help in assessing the behaviour of each of the films characters - Turner’s beautiful, deluded patient, her dangerous husband, and the mysterious, seductive psychiatric nurse enlisted to provide what may, or may not be, TENDER LOVING CARE.
The viewer’s answers to Dr. Turner questions the shape the course of the action and the final outcome of the story. The viewer, too, becomes one of Dr. Turner’s patients, taking a series of Thematic Apperception Tests (TATs), the results of which create a progressively accumulating personal psychological profile, and a complete psychological analysis by the end of the movie.
System Requirements:
Betriebssystem: Windows XP / Vista / 7 / 8 / 10
Prozessor: Intel Dual Core Machine
Arbeitsspeicher: 256 MB RAM
Grafik: Direct3D compatible 3D accelerator card
Speicherplatz: 750 MB verfügbarer Speicherplatz
Soundkarte: DirectX compatible sound card
Steam, Windows
Little Miss Lonely is a game about childhood, fear and the relationships
Little Miss Lonely is a short, narrative driven side-scrolling game where you play a nine year old girl named Robin. The game takes the player through the memories of a little girl who’s life has gone through big changes and how she deals with the fallout.
Story
The house is quiet as Robin rummages through her room searching for her best friend. Tonight is the night where she’s been left with the babysitter. Downstairs there is a gentle hum coming from the living room. Inside the TV glows in the darkness, voices can be heard muttering from the speakers.
System Requirements:
Betriebssystem: Windows 7
Arbeitsspeicher: 4 GB RAM
Speicherplatz: 1 GB verfügbarer Speicherplatz
Itch.io, DRM-Free, Windows, OSX
Born from the thought of “Pinball in 360”, Atomica thrills with visuals and delivers an experience of COURAGE with a good mix of action and real-time tactical gameplay in short 5 min arcade sessions.
COURAGE?
ATOMICA is a game that is created to evoke the feeling of courage. Where my previous game - TILTOFF - aimed to create spiritual balance, ATOMICA aims to instill you with the courage to face the daily ordeals that create unbalance in our lives. Be brave and face the challenge of the atom. Even when the atom goes atomic and the round ends, always remember that no matter the score, your courage to overcome the challenge is what truly counts.
How to play?
Your mission, should you choose to accept it, is to protect the central core of the atom long enough to gather a high Explosive Yield Score (EYS) by pushing the yellow ball into the purple boxes to gain more EYS using the Thumpers (controlled with Z & X / leftCtrl&alt ) and the Gravity Pull mechanic (activated by holding down Space). Move the camera around the arena with the left mouse button (or WASD/ArrowKeys) in all directions and watch out for overheating. The higher your EYS, the better your final rating!
As promotion goals are achieved, bonuses are unlocked for everyone.
Itch.io, DRM-Free, Windows, OSX, Linux
+1 Level every 10 seconds.
[Objective] Reach level 50.
[GameOver] When you reach level 0.
Use the [Dungeon] to level up (or lose level). Use the [Shop] to buy [Upgrades] and beat the game.
MP3
.A digital mixtape by Remute (to be uploaded by the end of this sale)
Hamburg-based Techno artist Remute has a very ‘technological’ approach to this genre - intense interaction with technology made him do the most amazing things: Remute’s career began in the early 2000s with his first EP ‘Hypnoconsole’ which unmistakably drew inspiration from the flickering world of early 80s and 90s computergames and acid-filled rave-sequences mixed up in a timeless punky DIY-way - even in 2017 ‘Hypnoconsole’ is still considered as a ‘punk techno’ reference by Bandcamp. The success of his first release made Remute tour for years and perform at acclaimed festivals and clubs like for example Golden Pudel and Berghain. Various contemporary high-profile labels got aware of Remute - in 2006 he released his self-titled debut album via the legendary label ‘Ladomat’ from Hamburg. After several further releases on labels like Tresor, Traum, Smallville or Bedrock Remute founded his very own Remute-label in 2008. The first release of the label, ‘Zuendli’, became an instant hit and is considered as one the most successful and celebrated tracks of the minimal techno era of the late 2000s. More punchy club hits and BBC1 favourites like the cheeky acid-house banger ‘Lampuca For Me’ or the spacey open air techno anthem ‘Gravity?’ followed and Remute also became a busy remixer for artists like GusGus, Solomun, Dominik Eulberg or Daniel Avery. Driven by the urge to push the boundaries of TECHNOlogy, it was never enough for Remute to deliver dancefloors hits only. Since the beginning of his career Remute was the sole ruler of his artistic vision and no managers, no agents and no producers were ever allowed to interfere with his work: While others in the early 2010s were busy to jump on the EDM-bandwaggon and took the first opportunity to sell out, Remute devoted himself to commercially risky and artistically uncompromising projects like ‘24’, which is a 24 hour long ambient recording (named by Mixmag as a ‘24 hour anthem’) and ‘REMUTE24’, a series of digital music releases remixing news headlines running for over 6 years, week by week, non-stop. Additionally he released highly successful J-Pop with his song ‘Play The Game’, recorded a Cyberpunk-esque soundtrack for the classic silent film ‘Metropolis’ with his 2014 album ‘Yoshiwara’ (got him ‘Album Of The Month’ honours in Mixmag) and was very active as a soundtrack-producer for several videogames. After over 15 years in music business and countless gigs from Miami to Moscow to Tokio, 2018 is a pivotal year for Remute: His album ‘Limited’, a hybrid release consisting of 7” vinyl and a 3,5” floppy disk, is regarded as a trailblazer of a strong floppy disk comeback… as a valid music format! With some clever usage of technology and creative dealing with the data limitations of this format, Remute once more succeeds in establishing his very own technologic sound aesthetics and setting new distinctive trends for unique performances while constantly questioning the status quo. Besides getting enthusiastically labelled as ‘limited techno’ by CBC, the Los Angeles Times also points out that he is Techno’s only true Disk Jockey - literally.
by Remute
Techno headlines.
Hamburg-based Techno artist Remute has a very ‘technological’ approach to this genre - intense interaction with technology made him do the most amazing things: Remute’s career began in the early 2000s with his first EP ‘Hypnoconsole’ which unmistakably drew inspiration from the flickering world of early 80s and 90s computergames and acid-filled rave-sequences mixed up in a timeless punky DIY-way - even in 2017 ‘Hypnoconsole’ is still considered as a ‘punk techno’ reference by Bandcamp. The success of his first release made Remute tour for years and perform at acclaimed festivals and clubs like for example Golden Pudel and Berghain. Various contemporary high-profile labels got aware of Remute - in 2006 he released his self-titled debut album via the legendary label ‘Ladomat’ from Hamburg. After several further releases on labels like Tresor, Traum, Smallville or Bedrock Remute founded his very own Remute-label in 2008. The first release of the label, ‘Zuendli’, became an instant hit and is considered as one the most successful and celebrated tracks of the minimal techno era of the late 2000s. More punchy club hits and BBC1 favourites like the cheeky acid-house banger ‘Lampuca For Me’ or the spacey open air techno anthem ‘Gravity?’ followed and Remute also became a busy remixer for artists like GusGus, Solomun, Dominik Eulberg or Daniel Avery. Driven by the urge to push the boundaries of TECHNOlogy, it was never enough for Remute to deliver dancefloors hits only. Since the beginning of his career Remute was the sole ruler of his artistic vision and no managers, no agents and no producers were ever allowed to interfere with his work: While others in the early 2010s were busy to jump on the EDM-bandwaggon and took the first opportunity to sell out, Remute devoted himself to commercially risky and artistically uncompromising projects like ‘24’, which is a 24 hour long ambient recording (named by Mixmag as a ‘24 hour anthem’) and ‘REMUTE24’, a series of digital music releases remixing news headlines running for over 6 years, week by week, non-stop. Additionally he released highly successful J-Pop with his song ‘Play The Game’, recorded a Cyberpunk-esque soundtrack for the classic silent film ‘Metropolis’ with his 2014 album ‘Yoshiwara’ (got him ‘Album Of The Month’ honours in Mixmag) and was very active as a soundtrack-producer for several videogames. After over 15 years in music business and countless gigs from Miami to Moscow to Tokio, 2018 is a pivotal year for Remute: His album ‘Limited’, a hybrid release consisting of 7” vinyl and a 3,5” floppy disk, is regarded as a trailblazer of a strong floppy disk comeback… as a valid music format! With some clever usage of technology and creative dealing with the data limitations of this format, Remute once more succeeds in establishing his very own technologic sound aesthetics and setting new distinctive trends for unique performances while constantly questioning the status quo. Besides getting enthusiastically labelled as ‘limited techno’ by CBC, the Los Angeles Times also points out that he is Techno’s only true Disk Jockey - literally.
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$100.00
A signed vinyl copy of Remute’s new release ‘Hypnoconsole (_2017 update)’ + Remute stickers
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