Remute is not just the owner of the www-domain ‘Techno.xxx’, but also for sure one of the most productive, energetic and eclectic protagonists of this genre: Since his teenage days the Belgrade-born producer released his music on legendary record-labels like Tresor, Traum, Ladomat or Bedrock and sharpened his reputation as a creator of unconventional, but sure-shot-dancefloor-fillers! Besides countless worldwide gigs at festivals, raves and cult-clubs like Berghain, he is also a very well-known and popular remixer for artists like Kid Alex aka Boys Noize, GusGus, Justin Robertson, Daniel Avery or Solomun; furthermore he is still the world record holder concerning the longest remix (60 minutes of pure acid-madness for ‘Oculus’ from Iceland!) in dance-music-history. His own productions got remixed by artists like Paul Kalkbrenner, DJ Rush, Snuff Crew or Legowelt. Remute had his final breakthrough in 2008 when he launched his own, self-titled, label ‘Remute’ : Its first release ‘Zuendli’ triggered an unprecedented wave of techno-euphoria and the catchy, thrilling helicopter-sounds caused clubber’s jaw clenching and teeth grinding for many years. More distinctive releases followed in the 2010s like ‘The Orgy’ (including a sample of his own blood with each of the limited album editions), ‘Cowbell Mania’, ‘‘Lampuca For Me’ (thanks to Erol Alkan’s heavy support on BBC a massive genre-bending hit) or his 2013 album ‘Theme Tunes For 10 Games Never Made’ which successfully built an overdue bridge between videogaming and clubbing (just listen to its lead-track ‘Gravity?’) and made Remute tour the world with synth-modified gameconsoles and Commodore Amiga homecomputers… His probably most ambitious opus is called ‘REMUTE24’ and is a neverending weekly series of songs linked to news-headlines and zeitgeist: Danceable stories and rhythmic coded messages about week’s hot topics, moods and events - always 100% unpredictable. In late 2014 he once more proved his versatility and released a quasi-official, let’s say fan-made, ‘speculative mixtape’-album via the US-synthwave-label Telefuture called ‘Yoshiwara’ which tries to provide a retro-futuristic electronic soundtrack to the infamous nightclub of the same name from the pioneering SciFi-movie ‘Metropolis’ - the mediator between brain and hands has to be the heart. In 2016 he released his, entirely crowd-funded, new album ‘Play The Game’ which features collaborations with Shinichi Osawa, Lil’ Fang and Plavka and is his most catchy work so far.

Remute is not just the owner of the www-domain ‘Techno.xxx’, but also for sure one of the most productive, energetic and eclectic protagonists of this genre: Since his teenage days the Belgrade-born producer released his music on legendary record-labels like Tresor, Traum, Ladomat or Bedrock and sharpened his reputation as a creator of unconventional, but sure-shot-dancefloor-fillers! Besides countless worldwide gigs at festivals, raves and cult-clubs like Berghain, he is also a very well-known and popular remixer for artists like Kid Alex aka Boys Noize, GusGus, Justin Robertson, Daniel Avery or Solomun; furthermore he is still the world record holder concerning the longest remix (60 minutes of pure acid-madness for ‘Oculus’ from Iceland!) in dance-music-history. His own productions got remixed by artists like Paul Kalkbrenner, DJ Rush, Snuff Crew or Legowelt. Remute had his final breakthrough in 2008 when he launched his own, self-titled, label ‘Remute’ : Its first release ‘Zuendli’ triggered an unprecedented wave of techno-euphoria and the catchy, thrilling helicopter-sounds caused clubber’s jaw clenching and teeth grinding for many years. More distinctive releases followed in the 2010s like ‘The Orgy’ (including a sample of his own blood with each of the limited album editions), ‘Cowbell Mania’, ‘‘Lampuca For Me’ (thanks to Erol Alkan’s heavy support on BBC a massive genre-bending hit) or his 2013 album ‘Theme Tunes For 10 Games Never Made’ which successfully built an overdue bridge between videogaming and clubbing (just listen to its lead-track ‘Gravity?’) and made Remute tour the world with synth-modified gameconsoles and Commodore Amiga homecomputers… His probably most ambitious opus is called ‘REMUTE24’ and is a neverending weekly series of songs linked to news-headlines and zeitgeist: Danceable stories and rhythmic coded messages about week’s hot topics, moods and events - always 100% unpredictable. In late 2014 he once more proved his versatility and released a quasi-official, let’s say fan-made, ‘speculative mixtape’-album via the US-synthwave-label Telefuture called ‘Yoshiwara’ which tries to provide a retro-futuristic electronic soundtrack to the infamous nightclub of the same name from the pioneering SciFi-movie ‘Metropolis’ - the mediator between brain and hands has to be the heart. In 2016 he released his, entirely crowd-funded, new album ‘Play The Game’ which features collaborations with Shinichi Osawa, Lil’ Fang and Plavka and is his most catchy work so far.