$1 minimum 9 + 7 + 1 other
Steam, Windows
Haley, an eccentric 13 year old girl, has a complicated relationship with her old friend Quintin. He’s a ghost now, and he’s puppeting her body with the intent of finding a satisfactory way of killing her. This dubious quest has led them to a mysterious abandoned island, where several people were recently murdered. And where, among the rotting cabins and dense trees, a strange new building hides a bizarre secret…
“He met a man an eyeless man a toothless man and he looked at the man and the man looked at him and he saw that the man was beloved and dearest of friends and the man spoke to him ‘how long since you’ve tasted bone marrow’ and he told him he told him truthfully and the man said ‘come’ and he came with the man and they vomited pure cold clean water into the endless eternal infinite sea and then, the end.”
System Requirements:
Minimum:
OS: Windows XP or Higher
Processor: Intel i3 or equivalent
Memory: 1 GB RAM
Graphics: AMD Radeon 6870 or equivalent
DirectX: Version 10
Hard Drive: 600 MB available space
Steam, Windows, OSX
Vangers. Mysterious creatures from the future of mankind: Mercenary murderers, victims of the cruel experiments, masters of the roads, scum of the Creature Soup?
Name your native bios, and we’ll tell you, for how long you’ll live Eleepods?.. Beeboorats?.. Zeexen?.. The Lost Chain of Worlds cursed forever, the Larvae have already started to bore the eternity, and mechos have commanded their own slaves.
The new universe is built and is waiting for the explorers… ****************
Vangers is a mixture of various, yet consistent gameplay components. The player enters the strange world of the future, emerged as a result of the clash between humankind and another intelligent race of creatures, and now living according to its own rules. The world challenges for the quest.
System Requirements:
Minimum:
OS: Windows XP/Vista/7/8/8.1
Processor: Intel/AMD with SSE2
Memory: 512 MB RAM
Graphics: Intel
DirectX: Version 9.0
Hard Drive: 800 MB available space
Minimum:
OS: Mac OSX 10.8/10.9
Processor: Intel Core2 Due
Memory: 1024 MB RAM
Graphics: Intel
Hard Drive: 800 MB available space
Steam, Windows, OSX, Linux
You Are Not A Banana is set in everyday life and has a sprinkle of imagination and humor. The audiovisuals seek to evoke nostalgia for the 80s and 90s. This short form experimental game unfolds as a sequence of thought provoking events and surprises. This game also comes with a free catchy chiptune soundtrack.
BETTER EDITION FEATURES • Rebuilt the entire game from the ground up : ) • 25 unique Steam achievements • Autosave, manual save options, and instant checkpoint loading • Revamped menus and UI (such separate music and sfx volume controls) • Lots of secrets and hidden story events • Improved minigames • More fluid movement and interactions • New dynamic lighting system • Revamped animations and graphics (pixel AA filtering and widescreen assets) • Revamped controls and new moves - such as run and search inventory : ) • 50% funnier jokes
KEY FEATURES • Free original soundtrack (7 chiptune mp3s plus a remix by German techno maestro Remute) • HD pixel art graphics • Dynamic Fmod sound and music • Sound based puzzles • Surreal mini games[/list]
SPECIAL FEATURES • Play as a banana! • Don’t get lost in the infinite graveyard! • Avoid dying in your sleep! • And for the love of Hades, find your way home before the milk turns sour!
System Requirements:
Windows:
OS: Windows XP+
Graphics: Graphics card: DX9 (shader model 2.0) capabilities; generally everything made since 2004 should work.
Storage: 132 MB available space
Mac:
OS: Mac OS X 10.6+
Graphics: Graphics card: DX9 (shader model 2.0) capabilities; generally everything made since 2004 should work.
Storage: 183 MB available space
Linux:
OS: Linux
Memory: 170 MB RAM
DRM-Free, Steam, Windows, OSX
Stranded In Time takes you on a fun and exciting adventure to explore a mystery out of this world! What seems to be a little weekend adventure with your old eccentric uncle turns into a fantastic journey through space and time. Play as Olivia - a young woman out of a big city - who joins her uncle Peter and writer Nick on an exploration of an old abandoned church in the woods that hides a secret beyond any wild dream! Only you can find the key to an enigma that is older than history itself!
Stranded In Time delivers classic adventure game experience that combines graphic storytelling with puzzle-solving entertainment. If you love old-school adventure games that focus on original screenplay and character interaction then you will definitely have a lot of fun playing Stranded In Time!
System Requirements:
OS: Windows XP/Windows Vista/Windows 7/Windows 8
CPU: 2.0 GHz
RAM: 1024 MB
DirectX: 9.0
Hard Drive: 500 MB
by Remute
Remute’s 2009-album ‘Grand Glam’!
A review by Resident Advisor: With the forlorn thud of deep house continuing to inform the work of most discerning dance producers, the cheap thrills of Remute’s Grand Glam offer a breath of fresh—or rather deliberately pungent—air. For his sophomore LP the part-time Areal, Einmaleins and Trapez artist serves up 14 tracks of no-nonsense bangers, the overall statement of which seems to be a gurning plea to “shut up and dance!”
Denis Karimani’s Remute project has always delivered tough techno, but Grand Glam is more concerned than ever with dance music’s hedonistically seductive qualities. Perhaps that’s what his Remute label is for: Remute03’s “Condensated” (an abridged version of which appears here) was his most gargantuan track to date, giddy arpeggios and bulbous rhythms pulling all the obvious stops and delivering the goods. Grand Glam is all about big gestures, draped in sparkles. If these decorations occasionally appear tacky, they’re also easy: You know you’re getting lucky. Trouble is, getting lucky with a cheap whore 14 times in an hour can be exhausting.
Fortunately Karimani is an experienced producer and these heavy-hitters—from sizzling French house (“Mass Hypnosis”), to throbbing neo-trance (“Tefko”) —are expertly produced; think a glitzier version of Eulberg and Ananda. Hissing crowd noise and squawking seagulls introduce opener—deep breath—”Does Time Really Exist If the Past Has Already Happened, The Present Instantly Becomes the Past and the Future Did Not Happen Yet?”, a strange title for a straightforward tech-house number, one pitched in the same warm tones and warm-up pace as his excellent Areal single “Expired.” “Sling It” and “Oahahaha” take on the luminosity of fellow glitterball peddlers Kompakt, the former the disco-sleaze of Justus Köhncke, the latter Axel Willner’s blinding surge, while the title track hits hard and wet like Daft Punk.
This punchy, functional course informs the rest of the album, where even the kookier, less-bombastic fillers (“Shiveroid,” “Slime Fast”) seem constructed with the floor in mind. Indeed, aside from beatless closer “Needful Dive Course,” itself a great slice of dub-ambient worthy of ~scape circa 2000, Grand Glam is an unremitting assault. Hardly the most coherent home-listening album perhaps, but a fine excuse to stay in and take drugs.
Hamburg-based Techno artist Remute has a very ‘technological’ approach to this genre - intense interaction with technology made him do the most amazing things: Remute’s career began in the early 2000s with his first EP ‘Hypnoconsole’ which unmistakably drew inspiration from the flickering world of early 80s and 90s computergames and acid-filled rave-sequences mixed up in a timeless punky DIY-way - even in 2017 ‘Hypnoconsole’ is still considered as a ‘punk techno’ reference by Bandcamp. The success of his first release made Remute tour for years and perform at acclaimed festivals and clubs like for example Golden Pudel and Berghain. Various contemporary high-profile labels got aware of Remute - in 2006 he released his self-titled debut album via the legendary label ‘Ladomat’ from Hamburg. After several further releases on labels like Tresor, Traum, Smallville or Bedrock Remute founded his very own Remute-label in 2008. The first release of the label, ‘Zuendli’, became an instant hit and is considered as one the most successful and celebrated tracks of the minimal techno era of the late 2000s. More punchy club hits and BBC1 favourites like the cheeky acid-house banger ‘Lampuca For Me’ or the spacey open air techno anthem ‘Gravity?’ followed and Remute also became a busy remixer for artists like GusGus, Solomun, Dominik Eulberg or Daniel Avery. Driven by the urge to push the boundaries of TECHNOlogy, it was never enough for Remute to deliver dancefloors hits only. Since the beginning of his career Remute was the sole ruler of his artistic vision and no managers, no agents and no producers were ever allowed to interfere with his work: While others in the early 2010s were busy to jump on the EDM-bandwaggon and took the first opportunity to sell out, Remute devoted himself to commercially risky and artistically uncompromising projects like ‘24’, which is a 24 hour long ambient recording (named by Mixmag as a ‘24 hour anthem’) and ‘REMUTE24’, a series of digital music releases remixing news headlines running for over 6 years, week by week, non-stop. Additionally he released highly successful J-Pop with his song ‘Play The Game’, recorded a Cyberpunk-esque soundtrack for the classic silent film ‘Metropolis’ with his 2014 album ‘Yoshiwara’ (got him ‘Album Of The Month’ honours in Mixmag) and was very active as a soundtrack-producer for several videogames. After over 15 years in music business and countless gigs from Miami to Moscow to Tokio, 2018 is a pivotal year for Remute: His album ‘Limited’, a hybrid release consisting of 7” vinyl and a 3,5” floppy disk, is regarded as a trailblazer of a strong floppy disk comeback… as a valid music format! With some clever usage of technology and creative dealing with the data limitations of this format, Remute once more succeeds in establishing his very own technologic sound aesthetics and setting new distinctive trends for unique performances while constantly questioning the status quo. Besides getting enthusiastically labelled as ‘limited techno’ by CBC, the Los Angeles Times also points out that he is Techno’s only true Disk Jockey - literally.
by elmobo
This is the music of the PC-DOS version of Fury of the Furries (1993), using the AdLib Music Synthesizer Soundcards. As usual, the tunes were randomly assigned to the levels, regardless of my own assignations… They are here named after the game usage. On top of that, Atreid Concept threw in some tunes I made for another (unreleased) game, without asking, of course. Those were the days… ;)
Frederic “Elmobo” Motte, the artist formerly known as Moby. Game music composer since 1989. Yeah baby.
by Remute
     |
Trump. Presidential Announcement. The Remix. https://thump.vice.com/en_us/article/remute-made-a-techno-banger-out-of-donald-trumps-presidential-announcement
Hamburg-based Techno artist Remute has a very ‘technological’ approach to this genre - intense interaction with technology made him do the most amazing things: Remute’s career began in the early 2000s with his first EP ‘Hypnoconsole’ which unmistakably drew inspiration from the flickering world of early 80s and 90s computergames and acid-filled rave-sequences mixed up in a timeless punky DIY-way - even in 2017 ‘Hypnoconsole’ is still considered as a ‘punk techno’ reference by Bandcamp. The success of his first release made Remute tour for years and perform at acclaimed festivals and clubs like for example Golden Pudel and Berghain. Various contemporary high-profile labels got aware of Remute - in 2006 he released his self-titled debut album via the legendary label ‘Ladomat’ from Hamburg. After several further releases on labels like Tresor, Traum, Smallville or Bedrock Remute founded his very own Remute-label in 2008. The first release of the label, ‘Zuendli’, became an instant hit and is considered as one the most successful and celebrated tracks of the minimal techno era of the late 2000s. More punchy club hits and BBC1 favourites like the cheeky acid-house banger ‘Lampuca For Me’ or the spacey open air techno anthem ‘Gravity?’ followed and Remute also became a busy remixer for artists like GusGus, Solomun, Dominik Eulberg or Daniel Avery. Driven by the urge to push the boundaries of TECHNOlogy, it was never enough for Remute to deliver dancefloors hits only. Since the beginning of his career Remute was the sole ruler of his artistic vision and no managers, no agents and no producers were ever allowed to interfere with his work: While others in the early 2010s were busy to jump on the EDM-bandwaggon and took the first opportunity to sell out, Remute devoted himself to commercially risky and artistically uncompromising projects like ‘24’, which is a 24 hour long ambient recording (named by Mixmag as a ‘24 hour anthem’) and ‘REMUTE24’, a series of digital music releases remixing news headlines running for over 6 years, week by week, non-stop. Additionally he released highly successful J-Pop with his song ‘Play The Game’, recorded a Cyberpunk-esque soundtrack for the classic silent film ‘Metropolis’ with his 2014 album ‘Yoshiwara’ (got him ‘Album Of The Month’ honours in Mixmag) and was very active as a soundtrack-producer for several videogames. After over 15 years in music business and countless gigs from Miami to Moscow to Tokio, 2018 is a pivotal year for Remute: His album ‘Limited’, a hybrid release consisting of 7” vinyl and a 3,5” floppy disk, is regarded as a trailblazer of a strong floppy disk comeback… as a valid music format! With some clever usage of technology and creative dealing with the data limitations of this format, Remute once more succeeds in establishing his very own technologic sound aesthetics and setting new distinctive trends for unique performances while constantly questioning the status quo. Besides getting enthusiastically labelled as ‘limited techno’ by CBC, the Los Angeles Times also points out that he is Techno’s only true Disk Jockey - literally.
MP3
Remute will mix his favourite 16-bit gamemusic-tunes for you on July 6th 23:59 berlin time.
Hamburg-based Techno artist Remute has a very ‘technological’ approach to this genre - intense interaction with technology made him do the most amazing things: Remute’s career began in the early 2000s with his first EP ‘Hypnoconsole’ which unmistakably drew inspiration from the flickering world of early 80s and 90s computergames and acid-filled rave-sequences mixed up in a timeless punky DIY-way - even in 2017 ‘Hypnoconsole’ is still considered as a ‘punk techno’ reference by Bandcamp. The success of his first release made Remute tour for years and perform at acclaimed festivals and clubs like for example Golden Pudel and Berghain. Various contemporary high-profile labels got aware of Remute - in 2006 he released his self-titled debut album via the legendary label ‘Ladomat’ from Hamburg. After several further releases on labels like Tresor, Traum, Smallville or Bedrock Remute founded his very own Remute-label in 2008. The first release of the label, ‘Zuendli’, became an instant hit and is considered as one the most successful and celebrated tracks of the minimal techno era of the late 2000s. More punchy club hits and BBC1 favourites like the cheeky acid-house banger ‘Lampuca For Me’ or the spacey open air techno anthem ‘Gravity?’ followed and Remute also became a busy remixer for artists like GusGus, Solomun, Dominik Eulberg or Daniel Avery. Driven by the urge to push the boundaries of TECHNOlogy, it was never enough for Remute to deliver dancefloors hits only. Since the beginning of his career Remute was the sole ruler of his artistic vision and no managers, no agents and no producers were ever allowed to interfere with his work: While others in the early 2010s were busy to jump on the EDM-bandwaggon and took the first opportunity to sell out, Remute devoted himself to commercially risky and artistically uncompromising projects like ‘24’, which is a 24 hour long ambient recording (named by Mixmag as a ‘24 hour anthem’) and ‘REMUTE24’, a series of digital music releases remixing news headlines running for over 6 years, week by week, non-stop. Additionally he released highly successful J-Pop with his song ‘Play The Game’, recorded a Cyberpunk-esque soundtrack for the classic silent film ‘Metropolis’ with his 2014 album ‘Yoshiwara’ (got him ‘Album Of The Month’ honours in Mixmag) and was very active as a soundtrack-producer for several videogames. After over 15 years in music business and countless gigs from Miami to Moscow to Tokio, 2018 is a pivotal year for Remute: His album ‘Limited’, a hybrid release consisting of 7” vinyl and a 3,5” floppy disk, is regarded as a trailblazer of a strong floppy disk comeback… as a valid music format! With some clever usage of technology and creative dealing with the data limitations of this format, Remute once more succeeds in establishing his very own technologic sound aesthetics and setting new distinctive trends for unique performances while constantly questioning the status quo. Besides getting enthusiastically labelled as ‘limited techno’ by CBC, the Los Angeles Times also points out that he is Techno’s only true Disk Jockey - literally.
DRM-Free, Windows, OSX
In “Detective Ross – Episode 01: A PI in Paris” you play Mark T. Ross, an American detective of investigation who has recently set up his office in Paris, France.One day, a mysterious and powerful businessman asked him to investigate the kidnapping of his son. With only a few clues, Detective Ross will do everything possible to solve the case.Are you ready to lead the investigation?
It’s a video game that mixes adventure game with interactive experience. Here no universe or 3D characters, everything is filmed with real actors in real settings, like a real series.
Have you ever dream of seeing the hero of a series make your own decisions?
System Requirements:
Minimum:
OS: Windows XP or Higher
Processor: Intel i3 or equivalent
Memory: 1 GB RAM
Graphics: AMD Radeon 6870 or equivalent
DirectX: Version 10
Hard Drive: 600 MB available space
by elmobo
Here is the music from the Amiga version of Fury of the Furries. The tunes are named after the levels they were to supposed to be assigned to, but the developers messed everything up (as always ;)).
Just found out that the two bonus tracks were actually used in the MacIntosh version of the game, so they they have been renamed accordingly.
I have also added the 3 CD audio tracks from the Amiga CD32 version of the game. Enjoy !
Frederic “Elmobo” Motte, the artist formerly known as Moby. Game music composer since 1989. Yeah baby.
by David Szymanski
|
The original soundtrack to my exploration/horor game, The Music Machine. Be sure to also check out the game on Steam!
GROUPEES USER: David Szymanski
David Szymanski, alias jefequeso, enjoys spending his free time developing videogames, reviewing videogames, writing stories, and composing music. In particular, he is interested in experimenting with ways to tell a story in an interactive setting, and ways to combine individual elements of a game (gameplay, music, narrative, visuals) into a cohesive whole.
Steam, Windows
News has come back to Earth of an intergalactic war rapidly approaching. A Krakin spacecraft is rapidly approaching Earth. After Humans and their Kerkop allies take one last stand against their enemies, they are victorious but the Krakin ship still remains. The Kerkop flee and Mankind is left on the edge of extinction. There is only one hope left. You.
You are a member of the Proteus army, robotic soldiers with the souls of former humans that have given up everything to fight the menance. You have to destroy the ship and whatever evil remains lurking within. Are you up for the challenge of saving the entire human race from extinction?
System Requirements:
OS: Windows XP / Vista / 7 / Ubuntu 14.04 LTS
Processor: 1.0 GHz Processor
Memory: 512 MB RAM
Graphics: 100% DirectX compatible graphics
Hard Drive: 800 MB available space
Sound Card: 100% DirectX compatible card or onboard sound
DRM-Free, Steam, Windows
Roguelite dungeon crawling - Discover 58 items, every last one unique, with situational uses. You must carefully manage your sparse resources in order to see your way through the dungeon.
Permadeath - An unforgiving and harsh reality. Even a single hit will send you to your grave if you are not always vigilant. Feel your blood pressure rise as you delve further and further.
Intricate skill system - Gain up to 41 skill runes as you explore the dungeons, persistent between rounds. Place carefully to synergize with your preferred playstyle, or go for unique and fun loadouts to give yourself a challenge.
Every monster is unique - There are 104 monsters. No two monsters have the same AI. You cannot get far without figuring out their intricacies.
System Requirements:
OS: Windows XP/Vista/7/8, OSX, or Ubuntu
Processor: 1.2GHz processor
Memory: 512 MB RAM
Graphics: Graphics card compatible with OpenGL 2.x or better, with at least 32MB video memory.
Hard Drive: 250 MB available space
Steam, Windows
Pongo is a 3D action platformer that combines pogo stick jumps with strategic FPS combat. Grab your Pongo, a tool usable as either a pogo stick or a gun, to obliterate enemies and traverse the vast islands of Flubber. Balance rapid movement and high jumps with challenging combat, hordes of enemies, puzzles and traps at every turn. Grab your Pongo and let the adventure begin!
Features
Leap through over 45 challenging levels
Obliterate monsters with your Pongo
Avoid deadly traps and slay huge bosses
Solve challenging puzzles and explore islands
Enjoy charming 3D environments
Jam to an exciting, quirky original soundtrack
System Requirements:
OS: Windows 7
Processor: Core 2 Duo
Memory: 2 GB RAM
Graphics: Onboard Graphics
Hard Drive: 350 MB available space
Sound Card: Onboard Sound
by ndru
Ndru, a German minimalist named Andre, who is also known elsewhere for his experimental works produced under the name Bored Man Ganesh, as well as helming the Organic Industries imprint, makes a stately and vibrant debut at Recycled Plastics with Knospensprung. Comprised of tracks produced in past and recent years, Knospensprung is a multifaceted set of techno assemblages that pop and fizz with playful gaiety, and this album can be seen as the first of more to be issued at our humble label. Andre has been making music for years, and his works have graced clubs and vinyl and bedrooms and headsets all over the world as his sound grows and expands. We’ve been in love with his music in both the rhythmic and beatless capacities for a long time and it is nothing short of a massive honor that we’re able to bring you Knospensprung. For those of you who would like to purchase BC15, we’ve added two delectable remixes by Lamont Kohner and Coppice Halifax, both of whom have been remixed by Ndru in the past, as CDr exclusives.
Written and produced by Andre Gansebohm.
DRM-Free, Windows, OSX
Space Sleuth is a 3D point and click adventure targeting PC and touch screen devices (This version is playable on PC). Play as Detective Donaldson aboard the MarsX spaceship who is enlisted to find a missing crew member, Marley. As Detective Donaldson, the player must interrogate crew members and uncover the clues and events that led to Marley’s disappearance.
System Requirements:
OS: Windows XP+, Mac OS X 10.7+
Graphics card: DX9 (shader model 2.0) capabilities; generally everything made since 2004 should work.
CPU: SSE2 instruction set support.
by elmobo
This is a compilation of some of my demoscene music made between 1989 and 1993 when I was still called Moby, before some other guy took my moniker :P. These tunes are probably a bit less well known than those on Volume 1, but yet, there are a few I still love :). All tracks were composed using Soundtracker/Noisetracker/Protracker on the Amiga. Each tune has been carefully mixed and mastered especially for this release. Share and enjoy !
ALL THE MODFILES ARE INCLUDED IN THE DOWNLOAD !
What is demoscene ? => en.wikipedia.org/wiki/Demoscene
Frederic “Elmobo” Motte, the artist formerly known as Moby. Game music composer since 1989. Yeah baby.
As promotion goals are achieved, bonuses are unlocked for everyone.
MP3
Remute will mix his favourite 16-bit gamemusic-tunes for you on July 6th 23:59 berlin time.
Hamburg-based Techno artist Remute has a very ‘technological’ approach to this genre - intense interaction with technology made him do the most amazing things: Remute’s career began in the early 2000s with his first EP ‘Hypnoconsole’ which unmistakably drew inspiration from the flickering world of early 80s and 90s computergames and acid-filled rave-sequences mixed up in a timeless punky DIY-way - even in 2017 ‘Hypnoconsole’ is still considered as a ‘punk techno’ reference by Bandcamp. The success of his first release made Remute tour for years and perform at acclaimed festivals and clubs like for example Golden Pudel and Berghain. Various contemporary high-profile labels got aware of Remute - in 2006 he released his self-titled debut album via the legendary label ‘Ladomat’ from Hamburg. After several further releases on labels like Tresor, Traum, Smallville or Bedrock Remute founded his very own Remute-label in 2008. The first release of the label, ‘Zuendli’, became an instant hit and is considered as one the most successful and celebrated tracks of the minimal techno era of the late 2000s. More punchy club hits and BBC1 favourites like the cheeky acid-house banger ‘Lampuca For Me’ or the spacey open air techno anthem ‘Gravity?’ followed and Remute also became a busy remixer for artists like GusGus, Solomun, Dominik Eulberg or Daniel Avery. Driven by the urge to push the boundaries of TECHNOlogy, it was never enough for Remute to deliver dancefloors hits only. Since the beginning of his career Remute was the sole ruler of his artistic vision and no managers, no agents and no producers were ever allowed to interfere with his work: While others in the early 2010s were busy to jump on the EDM-bandwaggon and took the first opportunity to sell out, Remute devoted himself to commercially risky and artistically uncompromising projects like ‘24’, which is a 24 hour long ambient recording (named by Mixmag as a ‘24 hour anthem’) and ‘REMUTE24’, a series of digital music releases remixing news headlines running for over 6 years, week by week, non-stop. Additionally he released highly successful J-Pop with his song ‘Play The Game’, recorded a Cyberpunk-esque soundtrack for the classic silent film ‘Metropolis’ with his 2014 album ‘Yoshiwara’ (got him ‘Album Of The Month’ honours in Mixmag) and was very active as a soundtrack-producer for several videogames. After over 15 years in music business and countless gigs from Miami to Moscow to Tokio, 2018 is a pivotal year for Remute: His album ‘Limited’, a hybrid release consisting of 7” vinyl and a 3,5” floppy disk, is regarded as a trailblazer of a strong floppy disk comeback… as a valid music format! With some clever usage of technology and creative dealing with the data limitations of this format, Remute once more succeeds in establishing his very own technologic sound aesthetics and setting new distinctive trends for unique performances while constantly questioning the status quo. Besides getting enthusiastically labelled as ‘limited techno’ by CBC, the Los Angeles Times also points out that he is Techno’s only true Disk Jockey - literally.
DRM-Free, Windows, OSX
In “Detective Ross – Episode 01: A PI in Paris” you play Mark T. Ross, an American detective of investigation who has recently set up his office in Paris, France.One day, a mysterious and powerful businessman asked him to investigate the kidnapping of his son. With only a few clues, Detective Ross will do everything possible to solve the case.Are you ready to lead the investigation?
It’s a video game that mixes adventure game with interactive experience. Here no universe or 3D characters, everything is filmed with real actors in real settings, like a real series.
Have you ever dream of seeing the hero of a series make your own decisions?
System Requirements:
Minimum:
OS: Windows XP or Higher
Processor: Intel i3 or equivalent
Memory: 1 GB RAM
Graphics: AMD Radeon 6870 or equivalent
DirectX: Version 10
Hard Drive: 600 MB available space
by elmobo
Here is the music from the Amiga version of Fury of the Furries. The tunes are named after the levels they were to supposed to be assigned to, but the developers messed everything up (as always ;)).
Just found out that the two bonus tracks were actually used in the MacIntosh version of the game, so they they have been renamed accordingly.
I have also added the 3 CD audio tracks from the Amiga CD32 version of the game. Enjoy !
Frederic “Elmobo” Motte, the artist formerly known as Moby. Game music composer since 1989. Yeah baby.
by David Szymanski
|
The original soundtrack to my exploration/horor game, The Music Machine. Be sure to also check out the game on Steam!
GROUPEES USER: David Szymanski
David Szymanski, alias jefequeso, enjoys spending his free time developing videogames, reviewing videogames, writing stories, and composing music. In particular, he is interested in experimenting with ways to tell a story in an interactive setting, and ways to combine individual elements of a game (gameplay, music, narrative, visuals) into a cohesive whole.
Remute will mix his favourite 16-bit gamemusic-tunes for you on July 6th 23:59 berlin time.
1
$25.00
A signed Sega Mega Drive gamepad + Remute stickers + 1 on 1 skype chat / production tutorial with Remute
2
3
$20.00
A signed letter with an individual download-code to Remute’s new single ‘Escalator’ which he co-producted with japanese DJ Shinichi Osawa!
4
5